Michael confronts Fredo at the Havana New Year’s Eve party and gives him the kiss of death after telling him, “I know it was you Frodo. You broke my heart.”
(Damn it! That’s what happens when the previous topic you were in was a L.O.T.R. thread.)
Michael confronts Fredo at the Havana New Year’s Eve party and gives him the kiss of death after telling him, “I know it was you Fredo. You broke my heart.”
(Damn it! That’s what happens when the previous topic you were reading was a L.O.T.R. thread.)
It’s quite highly regarded. It’s called “Picnic at Hanging Rock” and I refer to the scene where the school’s headmistress begins to ‘lose it’ after some of her charges go missing in the nearby mountain ridge on a day trip in the bush.
The renewals for the upcoming semester start to dwindle and she realises the school (and all her world that goes with it) is facing a disaster.
It’s a dreamy, almost non fulfilling film - and yet it stays with you. Interestingly, like “The Truman Show”, Peter Weir directed that one too… as well as “Witness” too didn’t he? Obviously, he’s good at that sorta thing.
Blah. There are many better examples, some already pointed out in this thread. Requiem for a Dream perhaps the best one. Eeesh. FAR more disturbing than Hammill’s little whiny wail in Empire Strikes Back.
Oh, and for Fear Itself a minor nitpick… Morgan Freeman opened the box. The fit didn’t hit the shan until Brad Pitt learned what he saw in it. evil grin
For my own choice, I’d have to throw in for my all-time favorite film, Fearless. Depending on which chronology you use (real-time or movie-time), the world-altering scene is either at the beginning or the end of the story, but either way it’s an emotionally-wrenching doozy, set to Gorecki’s “Symphony #3”. Wow. It always leaves me breathless.
A weird little movie starring Elliott Gould, called Inside Out, about an agoraphobic who leads a very busy life from inside his apartment, using all the latest high-technology devices of the mid-1980s snort.