# SDMB Guide to Classical Music

**URL:** <https://boards.straightdope.com/t/sdmb-guide-to-classical-music/733118>\
**Category:** Cafe Society\
**Created:** [October 1, 2015, 8:06am UTC](https://boards.straightdope.com/t/sdmb-guide-to-classical-music/733118 "2015-10-01T08:06:29Z")\
**Posts on this page:** 10\
**Page:** 2

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**Author:** ![Slithy\_Tove](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/slithy_tove/32/18248_2.png) [@Slithy\_Tove](https://boards.straightdope.com/u/Slithy_Tove)\
**Post date:** [October 2, 2015, 3:17pm UTC](https://boards.straightdope.com/t/sdmb-guide-to-classical-music/733118/21 "2015-10-02T15:17:18Z")

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> [@Quartz](#):
>
> Not sexy, but I’m on a French Baroque kick at the moment: Lully, De Lalande, Fuxx, etc.

and the jokes just write themselves

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**Author:** ![Really\_Not\_All\_That\_Bright](https://avatars.discourse-cdn.com/v4/letter/r/e8c25b/32.png) [@Really\_Not\_All\_That\_Bright](https://boards.straightdope.com/u/Really_Not_All_That_Bright)\
**Post date:** [October 2, 2015, 3:21pm UTC](https://boards.straightdope.com/t/sdmb-guide-to-classical-music/733118/22 "2015-10-02T15:21:58Z")

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> [@Gedd](#):
>
> While I do enjoy Holst, I’m not sure I could make love to that. Might hurt something with all the rhythmic pounding, beating, etc. (Plus I would probably be trying to tap along)

Well, that’s kind of the idea. 😃 Though the OP did specify “making love.”

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**Author:** ![Gyrate](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/gyrate/32/3588_2.png) [@Gyrate](https://boards.straightdope.com/u/Gyrate)\
**Post date:** [October 2, 2015, 3:38pm UTC](https://boards.straightdope.com/t/sdmb-guide-to-classical-music/733118/23 "2015-10-02T15:38:38Z")

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> [@Slithy\_Tove](#):
>
> and the jokes just write themselves

All the Johann Fux jokes were probably tapped out a few centuries ago. See also: Heinrich Schütz and Samuel Scheidt.

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**Author:** ![Quartz](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/quartz/32/267_2.png) [@Quartz](https://boards.straightdope.com/u/Quartz)\
**Post date:** [October 2, 2015, 4:00pm UTC](https://boards.straightdope.com/t/sdmb-guide-to-classical-music/733118/24 "2015-10-02T16:00:03Z")

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> [@Slithy\_Tove](#):
>
> and the jokes just write themselves

I was hoping for an ISWYDT…

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**Author:** ![jimbuff314](https://avatars.discourse-cdn.com/v4/letter/j/c57346/32.png) [@jimbuff314](https://boards.straightdope.com/u/jimbuff314)\
**Post date:** [October 2, 2015, 4:11pm UTC](https://boards.straightdope.com/t/sdmb-guide-to-classical-music/733118/25 "2015-10-02T16:11:25Z")

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I saw what you did there, **Quartz**. I saw.

I once sequenced Ravel’s _Bolero_ note by note into notational software. IANAM, but it came out not completely terrible, except for one unfortunate pitch bend I was never able to nail down.

I’ve often wondered, do musicians get, hmm, bored or disinterested when performing _Bolero_? I’m thinking in particular of the plucking strings and the poor drummers.

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**Author:** ![Evin](https://avatars.discourse-cdn.com/v4/letter/e/59ef9b/32.png) [@Evin](https://boards.straightdope.com/u/Evin)\
**Post date:** [October 2, 2015, 8:51pm UTC](https://boards.straightdope.com/t/sdmb-guide-to-classical-music/733118/26 "2015-10-02T20:51:51Z")

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The second movement (Larghetto/Romance) of Chopin’s Piano Concerto #1 does it for me. This Zimerman interpretation is astonishing IMO:

[![]( " - YouTube") ](https://www.youtube.com/watch?v=S1Iv2JJc-Qc)

at about 23:17

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**Author:** ![TonySinclair](https://avatars.discourse-cdn.com/v4/letter/t/49beb7/32.png) [@TonySinclair](https://boards.straightdope.com/u/TonySinclair)\
**Post date:** [October 3, 2015, 12:58am UTC](https://boards.straightdope.com/t/sdmb-guide-to-classical-music/733118/27 "2015-10-03T00:58:27Z")

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> [@AHunter3](#):
>
> _Scheherazade_ by Rimsky-Korsakov

Yeah, either that, or _[The Ecstasy of Gold](https://www.youtube.com/watch?v=1-rHdSWZLpQ)_ by Morricone.

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**Author:** ![movingfinger](https://avatars.discourse-cdn.com/v4/letter/m/7ab992/32.png) [@movingfinger](https://boards.straightdope.com/u/movingfinger)\
**Post date:** [October 3, 2015, 6:45am UTC](https://boards.straightdope.com/t/sdmb-guide-to-classical-music/733118/28 "2015-10-03T06:45:02Z")

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You might consider Erik Satie’s **Gymnopedie #1**.

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**Author:** ![scabpicker](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/scabpicker/32/8268_2.png) [@scabpicker](https://boards.straightdope.com/u/scabpicker)\
**Post date:** [October 3, 2015, 4:01pm UTC](https://boards.straightdope.com/t/sdmb-guide-to-classical-music/733118/29 "2015-10-03T16:01:24Z")

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> [@jimbuff314](#):
>
> I’ve often wondered, do musicians get, hmm, bored or disinterested when performing _Bolero_? I’m thinking in particular of the plucking strings and the poor drummers.

Yes. I knew a trumpeter who found it hard to concentrate on his very simple part.

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**Author:** ![K364](https://sea3.discourse-cdn.com/straightdope/user_avatar/boards.straightdope.com/k364/32/5_2.png) [@K364](https://boards.straightdope.com/u/K364)\
**Post date:** [October 3, 2015, 6:12pm UTC](https://boards.straightdope.com/t/sdmb-guide-to-classical-music/733118/30 "2015-10-03T18:12:29Z")

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[Epic version of Bolero](https://youtu.be/igWt_WnqmUw?t=2m). The best.

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