The solemn mood of WYWY was *meant *to be broken once the song was done–that’s why George put that burst of laughter at the end.
Bingo!
The solemn mood of WYWY was *meant *to be broken once the song was done–that’s why George put that burst of laughter at the end.
Bingo!
OK, how about this:
“Sgt. Pepper’s Lonely Hearts Club Band”
“With a Little Help from My Friends”
“Good Morning Good Morning”
“Fixing a Hole”
“She’s Leaving Home”
“When I’m Sixty-Four”
“Penny Lane”
“Being for the Benefit of Mr. Kite!”
“Getting Better”
“Lucy in the Sky with Diamonds”
“Within You Without You”
“Lovely Rita”
“Strawberry Fields Forever”
“Baby You’re A Rich Man”
“Sgt. Pepper’s Lonely Hearts Club Band (Reprise)”
“A Day in the Life”
OK, how about this:
“Sgt. Pepper’s Lonely Hearts Club Band”
“With a Little Help from My Friends”
“Penny Lane”
“Good Morning Good Morning”
“She’s Leaving Home”
“Lovely Rita”
“When I’m Sixty-Four”
“Being for the Benefit of Mr. Kite!”
“Getting Better”
“Lucy in the Sky with Diamonds”
“Within You Without You”
“Fixing a Hole”
“Strawberry Fields Forever”
“Baby You’re A Rich Man”
“Sgt. Pepper’s Lonely Hearts Club Band (Reprise)”
“A Day in the Life”
I like this best…the lighter stuff on side 1…and starting side 2 with the uptempo Getting Better makes more sense…than with Within Without
Sounds good! OK, so the hard part’s done - now all we have to do is build a time machine . . .
A very good thread indeed.
It is like teaching how create messages and signs without shaping a concept album.
Side two
I listened to the album again yesterday. One thing that always bugged me is the sound of the drums on “A Day in the Life” (very boomy compared to the other instruments on that cut). I remember the publicity about the album when it came out, how that song’s fade out was supposed to be something special. In the days of 2.5-minute songs, it was something unusual.
When the musical form of a song is repeated to fade. it suggests “forever”.
“A Day in the Life” just comes to a halt. That’s all.
(That kind of sound must have been strange in 1967).
It doesn’t just come to a halt, though. They play that huge E chord on the pianos and that chord rings out for about 40 seconds and gradually fades. It might be the most gradual fade in rock music, and it’s a lot less annoying than the typical repeat to fade.
The typical “repeat to fade”:
Sometimes the musician / singer “feels” the need to repeat the lyricis and/or sound to fade.
Sometimes the musician / singer objectively “shape” the “repeat to fade” because he is aware that the song “needs” it.
Sometimes the musician/singer can’t come up with a proper ending. :o
I would remove SLH (kind of syrupy) and GMGM (a weak song that sounds good). I would tack the GMGM fade-out onto the end of SFF keeping the chicken cluck segue into the guitar note of the Reprise.
Side one
Sgt. Pepper’s Lonely Hearts Club Band
With a Little Help from My Friends
Lucy in the Sky with Diamonds
Getting Better
Fixing a Hole
Penny Lane
Being for the Benefit of Mr. Kite!
Side two
Within You Without You
When I’m Sixty-Four
Lovely Rita
Strawberry Fields Forever
Sgt. Pepper’s Lonely Hearts Club Band (Reprise)
A Day in the Life
I agree with this. “Penny Lane” and “Strawberry Fields” are heavyweights. Including them would’ve made a good song collection, but would’ve washed out lesser known songs that deserved a chance. The result wouldn’t have really been an album, or at least not Sgt Pepper’s.
These 2 songs were appropriately placed with Magical Mystery Tour which is a non-album that needed all the help it could get.
I was looking for a “She’s Leaving Home” parody and can’t find one. Like, “She’s Finally Leaving Home”. The parents end up with a celebration party.
I don’t think the world could have stood the sheer awesomeness that would have ensued had Penny Lane & Strawberry Fields been included on Sgt Pepper.
Some turntables did not have an automatic lift for the needle at the end of a side. Supposedly, if “A Day in the Life” were played on one of those the fade would never end. The chord would reverberate for all eternity.
Now that’s an ending that tops 'em all.
Well…what you’d actually hear would be the infamous run out groove: