I’ll bet the songwriters involved played plenty of cover tunes back in the 50s 60s and 70s … sucks that they punish a small venue like the ones they came up in. It’s not just publishers and attorneys, any BMI member that receives royalties (me included) shares in the responsibility for this “no tolerance” situation. It sucks.
Not that I would want it to happen, but why wasn’t the band named as defendants, too? What happens if Mr. BMI stumbles across a busker on the sidewalk? Is the busker up the creek? Why is that different than the cover band?
Did J. Fogerty ever get his copyright/performance rights back for his Creedence songs?
Not in the arrangement, if you can call it that, that I am familiar with (under the British name “Hokey Cokey”). It throws caution to the wind and introduces a third chord, the IV, at some points.
Unless we are saying that I-IV-V means those chords and in that order, in which case we are limited to Wild Thing / Twist and Shout / La Bamba, etc.
Your giving me the fingering anticipated my unasked question. An Asus2 reminds me a lot of an Esus4 if you don’t mind doubling the sus4 and not doubling the 5th.
Wonderwall (I still remember watching the sun set in Paris from Sacré Cœur and there was a street musician playing this and people from all over the world singing along in thick accents)