He also wrote “For You”, which was also covered by Manfred Mann’s Earth Band. I’m hoping they had some original hits too.
The song “You’re Gorgeous” by Baby Bird always gives me the creeps, not any lyric in particular but just the way he sings them.
And as for Bruce Springsteen, he also wrote “Fire”, with the lyric:
I’m pulling you close
You just say no
You say you don’t like it
But girl I know you’re a liar
Hmmm, Bruce, not cool.
Pretty much all of AC/DC’s material is about teenage-boy-level sexual juvenility, but a lot of people don’t notice because Bon Scott’s singing was barely intelligible and Brian Johnson upped it several more notches.
Seriously. She needs to keep it well-lubricated.
The Weeknd. I like his song, “I Feel it Coming”, but the line
Makes me cringe.
The rest of the song is actually nice.
Well, they did have “Mighty Quinn,” in which they sang about a cup of meat. (Which, IMO, is actually in keeping with this thread now that I think about it.)
Aw, c’mon… these two lines,
“I like to go just like the rest, I like my sugar sweet
But jumping queues and makin’ haste, just ain’t my cup of meat”
…have to be among Dylan’s greatest!
Didn’t realize that wasn’t an original either…are they the most successful cover band in history?
Great - reminding me of Zappa’s
a grinder, a thumper, with a pre-moistened dumper from “Jewish Princess”.
And then later on in his Sheik Yerbouti album ( cultural appropriation album cover?:p) there’s
Ram it, ram it, ram it, ram it up your poop shoot. (fist fuck) from “Broken Hearts Are For Assholes”.
It’s the hi-hats sizzling in the background that gives it a ‘sh’ feel. “Douche” wasn’t really common parlance in the UK, back in the day, so to the ears of an English drummer, it’s a man singing “deuce” with a loose, hissy set of hats threatening to blend in with it.
It’s surprising how wholly that can happen. On “Eat for Two” by 10,000 Maniacs (the MTV Unplugged version), the tone of the oboe (maybe a cor anglais?) blended with Natalie Merchant’s voice and I heard her singing “Eat for tomorrow” for ages.
This is actually a really good theory, and you had me on board with it for a second, but when I went back and listened to the song it’s pretty clear it’s coming from the vocal. And if “douche” wasn’t really common parlance in the UK at the time, that’s actually more of an argument that it is the vocal, because it means it’s less likely somebody would have been like, “Hey chaps, do you think we oughta give that vocal another go? It sounds like we’re advertising a feminine hygiene product”.