I don’t know the name of the movie version but you mean the Philip K. Dick short story “Imposter”. Terry Nation adapted it for the BBC before writing for a new BBC series called Doctor Who. he wrote the second-ever serial of the series, which starred aliens he created called the Daleks.
Interesting that this should pop up today - I’ve come across a link to an interview with Mr. Regehr today. Here it is. And a good quote from the interview:
ML: The Gothic romance episode “Sub Rosa” is one of the most polarizing of TNG episodes, as it is so off-format. It’s often described with affection—or derision—as the “sex candle ghost” episode. How do you feel about it today?
Regehr: “Sex candle ghost”? I didn’t know it was called that, but I like the title, and love the notion that the episode is both affectionately lauded and critically derided… gives it an air of notoriety, very Hollywood headline-sounding. Sex Scandal Ghost… haunts bedrooms, ignites darkest passions!”
In fairness, Anne Rice stole the idea originally from Harlan Ellison, who was very disappointed by the adaptation.
I don’t know the name of the movie version but you mean the Philip K. Dick short story “Imposter”.
Also Imposter, starring Gary Sinise. Not a good movie.
Why anyone would want to take credit for “Sub Rosa”, I have no idea.
In fairness, Anne Rice stole the idea originally from Harlan Ellison, who was very disappointed by the adaptation.
Creators steal or at least adapt. The trick is to grab some idea and develop it well. Cf. Shakespeare, JS Bach, Disney, Colin Chapman, et al.
The cult of originality is a rather recent conceit about who sells what to whom and how quickly. Space / Soap / Horse operas, pulp fiction, penny dreadfuls, bosom-heaving romances, are more fast-food entertainment than immortal art. Make it; sell it; make another; sell that and more before the lawyers come for you.
Most drama still embodies Mark Twain’s 3-act structure: 1) Send them up a tree; 2) throw rocks at them; 3) see if they come down. Setup; conflict; resolution. What, a spirit haunts a family line? That can be played many ways till we concoct our desired ending. Just don’t multiply your Daleks unnecessarily.
Given the times, was it the blowing or his silence which assured his passage?
In fairness, Anne Rice stole the idea originally from Harlan Ellison, who was very disappointed by the adaptation.
Aren’t there numerous books/movies about spirits inhabiting objects or homes or being a historical part of a family? It’s just my feeling that you don’t have to “steal” that idea or similar ideas because they’ve been around for a very long time.
There are only twelve stories. Harlan Ellison has written seven of them.
P.S. I was going to add my own riff on the “haunted bellows” meme, but I couldn’t think of anything good.