Heh. This gives me a wry smile. I’m a kid of the 90’s whereas my brother’s a kid of the 80’s. He grew up on Moonlighting.
I remember watching Die Hard and (at the same time, I was watching re-runs of Moonlighting - I had watched as a little kid but really couldn’t remember too well) saying “I can’t believe he did Moonlighting before this!” and he replies, “What the hell are you talking about??? I couldn’t believe after Moonlighting he went and did Die Hard! It was a totally crazy!”
John Travolta made the move from Vinnie Barbarino (Welcome Back, Kotter), Tony Manero (Saturday Night Fever and Staying Alive), and Danny Zuko (Grease) to Vincent Vega (Pulp Fiction), Castor Troy (Face/Off), and Terl (Battlefield Earth).
Wait, can we ignore that last one? Please??
Also, I have to admit that Keanu Reeves came a long way from Ted Logan to Neo.
My vote goes to Eric Bana. From stand up and sketch comedy characters and Con Petropoulous in “The Castle” to underworld killer Chopper Read in on smooth transition.
(For our younger Dopers: during the 1988 presidential campaign, the media label for Bush was that he was a wimp – one major newsweekly even famously ran a cover story entitled “The Wimp Factor.” Fast forward a few years, and Saddam Hussein invades Kuwait, the US puts together Desert Storm, and those same newsweeklies start writing about how Bush has shed his wimp image. I dunno if Bush Sr. actually is or is not a wimp, but that’s the way the media ran FWIW.)
The Matrix (the original) works because Keanu Reeves only acting talent is a ‘what the f-ck is going on here’ character (see also: Bill and Ted’s Excellent Adventure).
In Reloaded and Revolutions, he’s supposed to know (essentially) what’s going on, which he does horribly.