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Except for 1941, Walt Disney was nominated for at least one Oscar every year from 1934 to 1963.
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The largest employer in one location in the US is Disney World in Florida, with 70,000 employees.
I think that gyrocompasses are generally too big and heavy to be practical on airplanes. I saw one once on a ship, and it was the size of a washing machine.
It’s probably possible with modern tech to make them much smaller, but then, with modern tech, it’s trivially easy to just use GPS instead.
Weren’t laser gyros developed for missile warhead guidance?
They certainly do make gyroscopes smaller. Fiber Optic gyrocompasses are put on satellites!
But Walt still won more than anyone else, didn’t he?
John Williams won “only five” Academy Awards. Poor guy!
Yeah, because he was the boss of the hundreds of people who did the actual work, but who didn’t get to put their names on the statue.
Newman (and family) and Williams may have had a handful of assistants who helped them in relatively minor ways, but no one else did the creative work of composing beautifully memorable scores, each with up to an hour of music, for dozens and dozens of films.
That level of creativity and talent just can’t compare to Walt’s contributions, which were essentially that of a supervisor of many much more talented people.
Here’s one of my favorite YouTubers talking about the best known musical artist in history.
And again, that’s all irrelevant. He still won more Oscars than anyone.
He was also the one who hired the people who did the work. He had the ability to see what worked and what did not. Those are talents, too.
But ultimately, you can’t just ignore the numbers. Disney won more Oscars than anyone else. Period.
Factually correct, obviously.
Do you acknowledge my point, that the kind of personal creativity and talent required to compose dozens of 800-page musical scores is on an entirely different level than that needed to supervise a studio and put your name on the work of others?
We’re getting into the realm of whether a 3" diameter apple is larger than a 3" diameter orange.
Disney’s era was the era of the studio head. Like a god, the movies released were created in his image. Every studio had a different image. Moviegoers knew without seeing the logo whether they were watching a Columbia or MGM or RKO picture.
Every cel of every short and full-length movie Disney produced went through Walt’s head. He was involved at every stage of production, from idea to writing to drawing. His role in the business was not business - his brother Roy handled that. Walt was the head creative, immersed in creation day and night for decades. Even the live-action shorts were reality warped into Walt’s vision of what reality should be. Disneyland was all him, an obsession about something no one had ever seen before, a gigantic success that I think dwarves literally anything else that came out of Hollywood. (I went once. It was fun. It wasn’t designed for me, but that’s irrelevant to its success.)
I’m not a Disney acolyte. He wasn’t a nice guy - he just played one on television. The other movie moguls were far worse, though. Nor am I minimizing the creativity of composers.
The Oscars went to Disney because everybody in the industry recognized what he was and how his product was an outward projection of what he was. The most outstanding creative of his times.
I mentioned in another thread recently that he is accordingly the patron saint of chefs and comedians. According to the legend he was cheerful to the last.
As Exapno pointed out, Disney did not sit in his office twiddling his thumbs. He was extremely hands on, and hired the talent, supervised them, made suggestions, and made sure everything was carrying out his vision. He innovated in many ways and stressed creativity over profit.
It’s not comparable to a composer; they are two different disciplines. But your implication that Disney wasn’t creative gives him short shrift.
I don’t know whether the royal monasterey of San Lorenzo de El Escorial is known in the US, but it is famous in Spain as a UNESCO World Heritage Site, king’s palace, biggest Renaissance building in the world and tourist attraction. Things you get taught at school.
The floor plan of the building is in the form of a gridiron. The traditional belief is that this design was chosen in honor of Saint Lawrence who, in the third century AD, was martyred by being roasted to death on a grill.
For those of you into gory images, there are numerous paintings of the martyrdom of St. Lawrence.
2022 and 1970,
are as far apart as,
1970 and 1918!
What exactly does a gridiron look like? All the references I can find are for American football.
Thanks, that helps a lot. Like a super-hefty barbecue grill or a fireplace grate.
I love the itsy bitsy tiny flames on his ass.