samclem. Yes, I know that the story first appeared in 1933. My point is that it may have become known in England due to the appearance in the hardback collection of stories - something that might have attracted the attention of the Punch cartoonist.
Cecil did not say that Doyle invented the modern detective. He said that Doyle “largely created the genre” of the whodunit. And Cecil was entirely correct. Poe may have invented the detective story but neither M. Dupin nor M. Legrande appeared in very many stories, and Poe’s detective stories did not establish the myriad clichés that define the whodunit, nor did they become entrenched in the public’s psyche the way the Holmes stories did. Poe may have planted the first seed, but it was Doyle who harvested the entire field.
That Poe was a better writer is certainly true, but for better or worse it was in fact Arthur Conan Doyle who “largely created the genre” of the whodunit, as anyone who got past the schoolboy stage could tell you.
I went to the library, read Runyon’s story in Collier’s(1933).
The phrase wasn’t there but it went like this:
"But," I say to ambrose Hammes, "You do not pin the foul deed on any of these parties, but on the butler, because this is the way these things are done in all the murder-mystery movies and plays I ever see, and also in all the murder-mystery books I ever read."
Note: at the end of the short story, it is concluded by the ‘accidental’ murderer being a butler.
So the cliche was probably around by 1933. Maybe not the exact phrase, but the substance was there.
Just wanted to note that Mary Roberts Rinehart’s novel The Spiral Staircase was dramatized as The Bat. The 1930 film version The Bat Whispers was one of Bob Kane’s inspirations for a comic strip character he was working on. Thus, Mary Roberts Rinehart is Batman’s grandmother.
The mention of plays brings up a point we haven’t considered. Mystery plays were extremely popular in those days. And the sheer number of new plays introduced just on Broadway in the 1920s was staggering - perhaps as many as 500 a year. The London stage surely had just as many, most of which did not cross over to the U.S.
I wouldn’t be surprised if in many mysteries - especially comic mysteries - the butler was pulled in as a last minute surprise murderer.
Plays were necessarily seen by a smaller and more elite audience than read books, and that audience was also busy making quips to one another with every breath. (Hello, Algonquin Round Table.) “The butler did it” is exactly the sort of quip that would make the rounds of the in-groups of the day.
Back when I was a student at Rice University in Houston, Texas, I used to give campus tours to prospective students and their families.
I used to always pause at the statue of William Marsh Rice, the founder of the university, and remark, “He was murdered, you know.” <dramatic pause> “The butler did it.”
Which is true enough. William Marsh Rice was murdered by his valet, Charlie Jones, at the behest of Rice’s unscrupulous New York lawyer, Albert Patrick, in an attempt to get his fortune. (Patrick’s downfall began when he forged a check made out to himself, and mispelled his own name.) The plot was foiled by Rice’s Houston lawyer, Captain James Baker.
The events of Rice’s murder were dramatized in a play and a movie entitled The Trust.
Well, probably not, since the point of that quote about how nobody notices servants is as a lead-in to the announcement of the real murderer, who is not at all a butler.
Now, it’s quite likely that some of those anonymous lesser writers we’ve been speaking of used this truly famous story as the source of their ideas for using a butler as the murderer.
I just wanted to comment on Cecil’s comment that Arthur Conan Doyle was the writer who largely created the genre. It was Edger Allen Poe with his hero Monsieur C. Auguste Dupin who started the modern Murder Mystery.