It’s a throwaway line, but when Turing is introducing his coworkers to his machine, he mentions that it’s based on a Polish machine but improved by himself. And earlier in the movie when the new hires were shown the Enigma machine, their boss (the Navy officer) mentioned that they got it from the Poles.
I agree with most of the criticisms here: too much cheap melodrama, phony crises and cliche characters. It’s rather remarkable it won an Oscar for screenplay since that was the weakest part of the film.
On balance I still enjoyed the film mildly because the underlying story is fascinating and the film did have decent production values and acting. It could have been so much better though.
Von Neumann? Good grief. He has a terrible reputation in the more knowledgeable CS corners for stealing Turing’s (and Mauchly and Eckert’s) ideas and presenting them as his own. And that’s really the only thing he’s known for in CS. Note that ENIAC and such weren’t stored program computers and therefore not computers as we consider them today. Turing came up with that. Read more here.
Turing really did push the development of computers far more than any other person. He wrote seminal papers in several branches on CS and came up with some of the earliest major innovations in computer hardware as well. He wasn’t just a Theorist. No one comes anywhere close to impact on the field.
BigT: Perchance you are referring to Breaking the Code with Derek Jacobi? I saw it years ago. The “technical” stuff was practically non-existent with “personal” stuff dominating the show. Not very interesting, geek-wise. OTOH it did have Jacobi.
Yes, :smack:. I know it was much less technical, but I wondered if they got the history more correct, since a lot of what people are complaining about is the history.
The only thing I know is that I think they overplayed the evidence of suicide, making his mom seem like she couldn’t accept it rather than it being questionable.
And, yes, Jacobi’s portrayal of Turing absolutely made that film. Before, I’d thought that Hollywood had had fully realized gay characters, but this was on another level. That’s part of my disappointment in hearing of Cumberbatch’s affected portrayal.
The whole issue of Breaking The Code has bothered me in respect of The Imitation Game. Because, hang on, there’s already the serious British dramatisation of the story, done nearly - god forbid - thirty years ago, involving a great British actor playing Turing, that, from memory, pretty much got the details broadly right.
I saw Jacobi live doing Turing in the 1994 tour of the play. Given the fame at the time of Whitemore’s rendering of the Halting Theorem as the grand theatrical joke, I must admit I was probably the only member of the matinee audience on a weekday in Newcastle who saw any humour in it at all. That in general was, however, orders of magnitude of cleverness above anything The Imitation Game even attempts. That reservation aside, Jacobi was fabulous.
Equally from memory of the original broadcast, the BBC version suffers from Jacobi just being too old to do the part at that point.
Bottom line: for all its limitations, Breaking The Code shows up the failings of the film.
Saw the movie - I knew most of the story, but still enjoyed at as a fun night out - suspend disbelief and all that.
It’s the classic British take on many subjects - a small group of slightly weird characters gather haphazardly under the direction of a mildly eccentric genius and win the war from a small hut - ‘Boffins in Sheds’. All despite doubt, hostility and interference from a blinkered, blustering, antiquated military establishment. The Dam Busters is another - Barnes Wallis is played by Michael Redgrave in full ‘Doddery Old Grandfather Mode’ when he was actually one of the country’s leading aircraft designers and had been working for the Ministry for Defence for years.
The Brits had experience with code-breaking from WW1 when they obtained German Naval codebooks, and then continued to break the codes. They knew about how to selectively use the information without compromising the source. (They hadn’t done it very well in WW1, but had studied the problem rigorously in the inter-war years. They got it right with the Zimmerman telegram, though). The idea of letting a group of people with no military training, no tactical knowledge of war aims, and no understanding of security decide what information could and couldn’t be used was ludicrous.
It’s interesting - if this movie was a pure fiction, people would enjoy it - ‘Although obviously completely fanciful’. But because it uses real names and events, there are those who will think it is true, and Turing DID shorten the war by 2 years on his own (forget the other 10,000 people working at Bletchley). Then throw in some modern PC regarding some common community attitudes of the time (sexism and homophobia) and it becomes ‘worthy’.
The inaccuracies of the film were quite widely reported in the UK, although a lot of that is about the portrayal of Turing. I have read a lot about the Polish contribution being diminished in the film.
I enjoyed the film but it also annoyed me because of this. And I’m British.
Wait, it’s that old? I guess that’s why I was able to watch it on YouTube without the BBC freaking out. But I had it placed in the 90s at most. Gay people were handled that well in the 1980s?!
The BBC production of Breaking the Code is from 1996. It was the stage version that dates from the 80s. Having said that, I don’t think there would be a problem with having a sympathetic gay character on TV in the 80s. High-brow dramas had had openly regular gay characters from the 70s (I’m thinking of the* Naked Civil Servant*) and Eastenders, the BBC’s flagship mid-evening soap, had a gay character in 1986 and the first gay kiss in 1987. This was one of the earliest non-comic gay characters on prime-time UK TV but attitudes were definitely already on the move.
I missed this when this thread was first opened. Harry Hinsley’s argument about the impact of ULTRA is on line in a transcript of a talk he gave in Cambridge in 1993. Personally I think he overstates the case (he had something of a vested interest as he was a Bletchley Park veteran as well as a historian) and other factors were already overwhelming the U-boats in late 1942 but the relevant bit goes:
That’s an interesting analysis. He indicates that Ultra information was used in Stalingrad and Kursk, which I didn’t know. The problem I always had with the “2-4 years” guess was that the Russians would have conquered Germany in less time than that. Thanks for the link MarcusF.