I posted in this thread a few times but never watched it! Now I have.
First, I think 5.7 on IMDb is too low, but when 18% of people who log in give it a zero, that’s what you’re going to get. That said, I’d be in the 6.7 - 6.8 range myself.
Second, since King’s son Owen wrote three of the episodes, and King himself added the ending, I’m going to assume most of the changes were approved.
Casting:
Bad - Skarsgård and Goldberg are terribly miscast. Neither has any sense of gravitas, and Randall Flagg kind of came across like a glowering Bill Pullman with a beard. The woman who played Frannie grew on me but was tepid overall. And Ezra Miller as Trashcan Man, screeeechMYLIFEFORYOUscreeeech was that in the shooting script? I burst out laughing. He clearly torched Old Lady Semple’s pension check, that guy. Cibola my ass.
Good - Stu, Nadine, Larry, all good. Owen Teague, I started off disliking his Harold (he’s not fat and acned!) but ended up appreciating it. Jesus he was creepy, but also sometimes very conflicted. They showed his course correction from Nadine quite well. Also nice to see a young Fiona Dourif (the New Vegas rat lady), who would eventually be in The Pitt. It was nice to see Nicolas Lea (Krycek from The X-FIles) as a nice neighbor rather than a rogue, murderous FBI agent.
Great - Greg Kinnear as Glen Bateman, go figure. Really outstanding in that role. Brad William Henke as Tom Cullen. Katherine McNamara as a really hateable Julie.
Mixed - Nat Wolff had a kind of thankless role as Lloyd Henreid, but Wolff is dating Billie Eilish now, so things worked out.
Changes from the uncut book:
Bad - changing New Vegas to a beacon for libertinism and druggery completely misses the point of people finding a home (in the book) much more like Mussolini’s Italy and much less like 1930’s Berlin. Hated that a lot. Changing the tunnel to a sewer, was a tunnel too expensive? Dumb. The swimming pool scene, what the hell, just blow them up like the original. King’s added ending: ugh. Why.
Good - vastly downsizing Nick Andros’s role. He’s one of my two favorite characters from the book but translating someone whose experiences are largely internal dialogue is hard, without dedicating a lot of time to him. Nadine puncturing a window and jumping is much less satisfying than Flagg launching her from a penthouse in a ragefit, but I think that feels different these days and I think the change is good. The non-linear timeline: I’d hate it if I didn’t know the plot, but I do know the plot, and I liked it.
Overall I’m glad we watched it. It wasn’t a shitshow, and I don’t feel like an adaption has to have high fidelity to an original, in fact I’d find that kinda boring.