Mars Attacks! was quite good. Thing is… my wife’s reaction to it, and mine, were very different, and I think our reactions kind of explain why a lot of people didn’t get it.
I thought it was hilarious; the archtypical 1950s Martian invasion as played out by Chuck Jones and Bob Clampett, complete with all the stereotypes and enough horror to make it stick.
My wife, on the other hand, didn’t have the background in cheesy old sci-fi movies and Tim Burton films, and didn’t realize it was a comedy at first. She didn’t know WHAT the hell to make of it. I suspect much of America shared her reaction.
I liked Independence Day. I thought it was a fine, mindless, exciting popcorn flick. Then again, I went in expecting just that. The one thing that bothered me is the scene where they try using a nuclear weapon on the saucer over Houston. The scene is damn near a shot-for-shot STEAL of the scene in George Pal’s WOTW where they try the Atom Bomb on the Martian manta-ray machines. Only thing missing was Les Tremayne.
Well, that, and the scene where the dog escapes being incinerated by a firestorm by simply leaping through a doorway.
I loved Sky Captain. I suspect, however, that the retro look is what sank it at the box office. That, and its underpublicization by the studio. Your teeners took one look at it, thought it looked like something off Turner Classic Movies, and didn’t show up in droves. Their loss. Even the reviews I read mentioned that the audiences in the theatres were skewing “over thirty.” I think it’ll do wonderfully on DVD.
Tom Cruise doesn’t bother me. Spielberg, on the other hand… well, he didn’t put any screaming children or cute aliens in *Saving Private Ryan * or Schindler’s List. Maybe he can treat this project with the respect and seriousness it deserves. Gonna withhold judgment on that.
The studio, now… the studio scares me. I agree completely with the idea that the backing studio’ll just want a mindless money-spawning blockbuster, and to hell with all the ideas and concepts that made the original any good at all. The novel does NOT flow at all like your typical Hollywood flick, and someone in the production line just isn’t going to like that at all… and the only way it’s going to stay anything like the book is if someone with plenty of clout like Spielberg demands that it is so.
It’s anyone’s guess. The off-the-set pix I’ve seen, though, would seem to indicate that this film is NOT a period piece; costumes appear to be modern.