New Books for 6/8/05 continued.
Lighter Fare:
Diehard GA fan, Chris Hansborough hasn’t been too thrilled with the portrayal of Ollie Queen and Co. in recent issues of Green Arrow, so when he raved about issue #51 so I decided to give it a try. While I appreciated the bit about old and new radicals, otherwise I didn’t get much of a sense of Ollie’s personality, something I wanted to see. The story was more a showcase for the return of Anarchy, the walking embodiment of the motto, “live free or die”, and Ollie serves as a witness, an admiring one. (I would enjoy a story where Anarchy met Miller’s anarchist version of the Question from BM: DKSA). I also enjoyed seeing Eric Battle’s work again. Like Brad Walker (*Catwoman #41-42, Richard Dragon #10) Battle was one of the relatively new names whose work stood out on Batman War Games. Here his compositions are fluid and dramatic, and inked by Steve Purcell in a style that reminds me of some of the inkers from the Philippines that graced Marvel titles in the seventies.
People thought the new digital technology (avid, telecine, cgi) would speed up post production: it actually slows things down. For every new efficiency, there are dozens of new options to explore. Sometimes this leads to confusion. The same applies to the reintroduction, via Wildstorm, of multiple universes into the DCU. (Of course, as far as I know, it was a DC writer who came up with the idea first but they dumped the idea for a while with Crisis on Infinite Earths.) I’m sure that’s what’s so confusing about Superman/Batman #20 (or for that matter, Majestic #8). It’s one of those stories that needs some expository narration to clear things up. Still I enjoyed the opening, where a World’s Finest team from a parallel universe (where someone big killed Lois Lane, and Superman and Batman kill) traveled to another parallel universe, and took on analogues of Millar and Hitch’s Ultimates (who were, at the time, in battle with analogues of the old Masters of Evil). I was utterly lost at the meeting between Batzarro and Bizarro #1. I never cared to decipher their distinctive style of speech (it was annoying then as now). I did like the sly gag on Hawkeye’s passing in Avengers Dissassembled, and I didn’t’ see the point of Capt. Atom’s resurrection. He must have a role to play in this series or one of the Countdown spin-offs. Ed McGuinness’ drawing style is really growing on me. I liked his take on the Batkids in the first Superman/Batman storyarc. I wish he had the chance to draw them in action. (I’d also like to see Tom Raney do them some day: I liked his Nightwing and Huntress in the Outsiders).
For some reason, I tend to think of the New Warriors and the Thunderbolts as sides of the same whole: this of course is due to the fact the same writers and artists worked on both books in the 80’s and 90’s. New Warriors #1 was nice, light fare. Young’s drawing style is charming, and I like the way Wells writes Speedball. I’d like to see more frission between Namorita and Nova. (Not sure I’m too thrilled about Germ Boy: he seems too much like a one-gag character. He could get old pretty quick.) Another enjoyable read was Ninceiza, Grummett and Erksine’s first six issues of the New Thunderbolts, which I picked up this week in trade format. The story was fine, the usual fast paced soap opera that made the earlier incarnation of the Thunderbolts and the original New Warriors so much fun in the eighties and nineties; and I always liked Grummett’s work on team books, like the Titans, Teen Titans and The Power Company. While I haven’t cared for Sienkiewicz or Hanna’s finishes over Grummett’s pencils in more recent issues of the New T-bolts, I really liked Erksine’s. Sienkiewicz’s style doesn’t really fit Grummett’s pencils, and comparing Erksine’s to Hanna’s, it’s clear that the problem with the former was a lack of variation in line quality.
Like Gail Simone’s work on Birds of Prey, her first two-issue story, in Action Comics #827 & 828 was fun and imaginative. I loved what she did with Repulse (such creative use of magnetic powers) and Polaris (I hope other writers make as interesting use of Polaris’ acute psychosis). I was also surprised at how well she wrote Superman’s supporting cast. It was one of the rare times I actually gave a damn for any of them, and I liked what she did with what must be an obligatory Villains United tie-in. Here the SSoSV functions like a union, taking care of their own (though Polaris’ psychosis makes him more of a liability than an asset). It was also nice to be reminded what a good visual storyteller John Bryne can be. An all around fun read. (Do you think it would dampen things too much to try to work in the psychotic Thorn sometime?)