I’d have to add:
The Zombies - exquisite song-writing, on par with the Beatles IMO
The MC5 & The Stooges - the grandfathers of Punk! the rest wouldn’t have happened without them…
Another note regarding the Beach Boys and Pet Sounds, note that Pet Sounds predates Sgt. Peppers, and in fact, had a direct influence on the Beatles.
From thisinterview with Paul:
I just read an article on the Ramones in the current issue of Rolling Stone. Like you, I also believed that I had heard of the band but didn’t know any of their songs but that turned out not to be true when I looked them up on Youtube. I bet you have heard their songs and just didn’t realize it. I was surprised how “poppy” they sound to me at least. I thought they were more…hardcore or something.
I was waffling about whether to include them or not. Odessey and Oracle is up there in my top albums of the 60s, but I’m not sure the rest of their output really quite measures up. At their best, though, I think they are definitely up there with the Beatles, the Kinks, and The Beach Boys, for songwriting in the 60s.
I’m not a big Beatles fan, but I acknowedge their popularity, talent, and influence. I like The Who, The Stones, and The Kinks better just among British bands. I certainly would put Dylan, the Beach Boys, and The Band in the same ballpark.
It depends on what we’re comparing. I stipulated quite carefully that I was talking about pop songwriting. They’re certainly comparable to and “in the same ballpark” as the Beatles on that level–I’m sure you can find music critics that would say they are second only to the Beatles in that regard. I’m not sure I would quite go that far (Elvis Costello has to be in that conversation, too), but it’s “ballpark.” Now, I clarified later that, no, based on the other criteria you mentioned (which I thought was optional–I thought this was meant to be more of a general conversational thread) they do not.
I like Flare4roach’s invocation of Eric Clapton – he evolved, great songwriter, great taste, I love his music, I wore out that circa-1990 retrospective CD box set through my 20s – BUT Clapton himself would admit he’s a follower, not a leader. Each phase of his career was INSPIRED by others, not INSPIRING others. First the great Delta and Chicago blues musicians like Robert Johnson and Willie Dixon; then The Band; etc.
I do agree. I’m surprised somewhat by the casual dismissal of The Ramones by some people here. While I don’t exactly listen to them very much, they had a lot of influence on worldwide, in my experience, and it’s not really all that I would call “niche” music either. It’s etched into the pop consciousness, and I would consider them one of the major bands that shaped the sound of rock music of the 70s onwards.
Given that this might be arguable, one could also argue that “same ballpark as the Beatles” means something a lot better, greater, more popular, or just different, whatever, than the Ramones. I would for sure.
To be honest, I’d never known much about the Ramones at all. I’ve been Googleing around and listening on YouTube, and frankly I like what I hear.
I grew up listening to rock music from Detroit (WRIF- Baby!) and they never played The Ramones. I don’t know why that would be, but the station really didn’t play punk.
I’m guessing they influenced bands like The Clash and The Sex Pistols, and possibly even The Cars and Joe Jackson. (ETA: The Knack, of course!)
Had enough people bought their records, NRBQ would clearly be in the conversation.
Songwriting - listen to “Ridin’ in My Car” followed by “C’mon Everybody” followed by “Only You” followed by “Always Safety First” - no common themes, no common sounds, clean writing of both lyrics, melodies, and harmonies.
Evolving sounds - yes - listen to “At Yankee Stadium”, “Tapdancing Bats”, and “Grooves in Orbit” back-to-back. It’s less that they changed what they were doing from album to album - it’s that each album’s sound was kaleidoscopic.
Wide Range of Influences - who else would play a harpsichord and a toy piano on the same album?
Growth and Innovation - The only one I can think of here is that their sound started like any other garage-rock band and then kept climbing the ladder of complexity.
Popularity - Not even remotely close! Decades on major labels, a dozen full-scale albums, and … one novelty hit with “Get that Gasoline Blues” during an oil crisis. They had the reputation of being “musicians’ musicians”, and it seems like their records only sold to other musicians!