What cliched scene do you never ever wanna see in a movie again?

A character has lost his/her (usually his) faith due to a personal tragedy. In the third act, when an equal-to-or-greater tragedy is about to happen (usually to a child), the desperate character bows head, prays with a “Look, I know I haven’t talked to you in a while…” and then has a tearful collapse maudlin prayer moment (and of course the kid’s okay again). Just once I’d like to see this happen when they get through and the kid’s dead.

The magic bedsheets are always good: two characters wake up after a passionate montage (back licking and butt cleavage and the like) and the surprisingly neat bed sheets are wrapped just under her boobs and around his waist. Whose butt (his or her’s) you’ll see for about two seconds as they’re getting up is 50-50.

The asexual bitchy gay guy (who’s really a badass) has been done to death and gone. (And why are there never any lesbian best friends for the main character in movies?)

I’ve noted here a few times - not so many that it’s creepy, I hope - that when a couple in a movie is interrupted during sex, or sometimes just finishes, they will always disentangle much faster than is humanly possible. It’s more like, say, what you’d expect to see if the guy was laying on top of the girl for no reason in particular.

I’m taking issue with this one: I once got laid through playing chess with a chick in a cafe once, a la The Thomas Crown Affair, and we exchanged a lot more than meaningful glances.

Yaoi manga is notorious for this. Like Gravitation, for instance. You’ve got the badassed, bitchy gay guy, and the cute little boi with the stuffed animal.

Someone rings the detective and says, “I’ve got something you must know”. “Right”, says the detective, “I’ll be right over”. “No” says the someone, “I can’t tell you now, meet me tomorrow outside the lion cage at the zoo”. The detective rings them back but they’re gone and you just know the next time they appear they’ll be lion lunch.

Man, you’re on the PHONE, just tell the detective what you know while you’re got them on the line.

Don’t know if someone’s already gotten to this one, but it’s very popular both on TV and in the movies:

Someone starts talking about some trivial annoyance, but goes on and on, adding more and more irrelevant detail until they’re in a full rant and it’s obvious that they’re talking about some weird aspect of their own personal lives. Suddenly they stop and look around to see everyone staring at them quizzically, they realize they’ve said too much, and they meekly say something like “Not that that’s ever happened to me.” And the audience howls like this is the first time they’ve seen that kind of scene before, when in reality you see it ALL THE TIME.

Lawn Order’s 20-year-old formula:

Ka-ching!

“What? Sell my house now? In this economy? Not on your . . . Oh, my God! Amanda! Look! A man’s body smashed that car roof! Somebody call 911!”

Wisecracking, seen-it-all old cop to young, yet-to-be embittered young cop, while glancing at Amanda sideways: “Well, I’da fallen that far for her, too.”

Ka-Ching!

Old cop to boss, 11 minutes into the show and while the credits are still rolling: “We’ve got enough on Frank to arrest him.”

Boss looking up from his desk as he lifts a coffee mug to his mouth: “Bring him in.”

Both cops and Frank, ties askew, in the grill room that hasn’t had a coat of paint since the Dutch left New York: “You killed him! We know you killed him!”

Frank: “No I didn’t, and I can prove it! I was at the opera with Amanda! You can ask her!”

Much asking.

Old cop to boss: “His alibi checks out. He didn’t kill him.”

Boss, turning away while opening a file and phones ring: “Well, check the box office to see who wasn’t at the opera.”

Ka-Ching!

Much checking. Flashlight boss tells of a full house but lets slip a clue when mentioning confusion in the aisles when an usher left for 15 minutes to get batteries for his flashlight at a bodega down the block.

Young cop: “Show us the flashlight cupboard.”

Flashlight boss: “No way. I could get fired.”

Old cop: “Look, chump. We could get a warrant, which, coincidentally while we tear this place apart, could reveal compromising photographs of you ‘having fun’ with a French horn.” Shrugs. “It’s up to you.”

All three make their way to the flashlight cupboard.

Flashlight boss, cresfallen: “Yeah, there should be a flashlight in there.”

Ka-Ching!

Young cop to boss and assistant DA at the police station: “We need a search warrant to check the usher’s home for the flashlight.”

Assistant DA: “Well, we need more than what you got. No judge will issue a warrant for the house of usher on just a theory.”

Old cop: “What? Counsellor, you’re going to put a cold-blooded killer back on the streets?”

Assistant DA: “No, the Constitution is. You want him in jail, get me the evidence.”

Boss, wearily: “OK, OK. Anyone check the car for the flashlight?”

Old cop, young cop glance at each other wryly.

Police car compound, tow truck in background dropping a car: Young cop reaches in through the broken windshield and pulls out a flashlight jammed between the turn signal and the dashboard.

Ka-Ching!

Back in the grill room, with usher

Old cop: “We found your flashlight in the crushed car. The medical report says the gash in the dead guy’s head wasn’t caused by any 25-floor fall from a roof onto a car. The gash could only be caused by your flashlight! Here are the 8 by 10s proving it and the DNA report on the blood on the lens. You were gone 15 minutes, long enough to leave, go to the building, grab the victim, take the express elevator to the roof, hit him on the head with the flashlight, accidentally drop it in his coat pocket, push him off the roof, take the express elevator back to the main floor and be back before the end of the third act!”

Lawyer: “Don’t answer that.” Pushes chair back while pulling suspect to his feet. “We’re done here!”

Ka-Ching!

Courtroom with pictures of Dutch leaving New York on walls. Much courtroom drama in which fat woman judge berates assistant DA for “stepping on thin ice.”

Fat judge: “Ladies and gentlemen of the jury, have you reached a verdict?”

Jury foreman: “We have, your honor.”

Judge: “What say you on the charge of first-degree murder?”

Foreman: “We find the defendant not guilty.”

Fat judge bangs gavel.

Wrapup in old DA’s office with assistant DA and gopher.

Assistant DA: “I just can’t believe it! What more did that jury want?”

Old DA as he puts on his coat and hat: “Yeah, well, it coulda bin worse.”

Assistant DA as they leave the office: “Worse? How could it have been worse?”

Old DA just before fade to black: “The fat lady coulda sung.”

you’ve got it almost completely nailed -
it’s “doink-doink”, not “ka-ching”

and by the way, how did you know so much? those details weren’t released to the press! where were you on the night in question???

The Unstoppable Killer-

If he’s unstoppable, give us even a half-assed reason why. Just “S/he’s crazy!” is not the same as Kevlar.

If not, the first (maybe the second, if it’s not a headshot, I’ll grant you that) should kill him.

If it appears he IS unkillable, for example you’ve shot him three times and stabbed him with a huge knife in the eye and he’s still skipping along, for the love of Jason DON’T keep fighting him. Run away.

Cops are not “elite” (no offense, I respect and appreciate them) and they have not been trained to take on a whole room full of guys or to do ridiculous gun stunts. Also, corrupt cops are not a “shocker” anymore. They exist.

Loveably anti-social behavior often isn’t.

If no one else has mentioned this yet, I’d be surprised. But I didn’t see it, so please forgive me if it’s been done, but…

The “classic” one where the hero, having the villain at his mercy after besting him in a desperate struggle, decides not to kill him, because he doesn’t want to sink to his level (or whatever the rationalization is). And, of course, the hero ends up killing the villain in self-defence seconds later anyway, or the villain does something stupid and gets himself killed (falling is usually the favorite method, here).

Courtroom scenes where the prosecuting attorney is all but slapping the defendant around to get a confession, and for some reason his attorney never states an objection.

[Animainacs]

Prosecutor:“Objection, the Concil is badgering the Witness”

Judge: “Sustained”

Cut to show one of the Warner brothers holding a badger in front of the witness. He throws it away and pulls a Goat out of hammerspace to hold in the same way

Judge: “What are you doing now?”

Yakko: “Goating the Witness”

[/Aninmaincs]

Conversly, Special forces are supposed to be, yet often they seem dumber then dirt in the movies.

Gee, I’ve never seen that one. :smiley:

([del]boobs[/del] armpits)

When two armies meet to do battle, you can’t just have a simple battle anymore. You have to have to Hero urging his troops to give the fight of their lives. To dole out ass-kickery like the world has never seen. The speech is given while on horseback. Extra points if the horse rears up.

I blame Mel Gibson. Or Shakespeare.

Actually John Woo directed Face-Off where this scene took place, and he did not kill the kid or any of the slow-motion doves.

Ah, but chess is not a physical game, is it? Or were you just using this as an opportunity to boast that you got laid playing chess? :smiley:

Did we do the cliché about the cop that is about to retire, just has to finish this one last case, and of course gets killed in the process?

How about all the beautiful hookers with hearts of gold, who talk tough but are really just softies under it all?

Ooh, I’ve got a good one - cop chases perps on foot, perps eventually drive away/ run away, cop shoots futilely at car a few times, then gives up. Or, alternatively, cop pulls someone out of their car, or grabs motorcycle or bicycle to chase perps, while owner of car/motorcycle/bicycle looks on bewilderedly.

I once got laid playing Scrabble. :wink:

Can cops really do that, just take your car like that?
Good guys are always 100% good, they never smack their kids or cheat on taxes, or anything like that…unless the story demands it, then it’s a major plot point. I want a hero who has a lot of flaws but is still a good guy! Also, the bad guys who will attack little kids at the drop of a hat. Have the evil serial killer work in a soup kitchen or give blood regularly, just because he’s not totally bad.

Even The Lion King pulled this one.

This was sent up in the new “Charlie and the Chocolate Factory”. Young Willy Wonka’s dentist father tells him that if he leaves to pursue his dreams of creating candy that he won’t be there when he comes back. After Willy struggles he decides to go back home, only to find that his entire house is missing, only an empy lot is left.

What about the mysterious source who leaks information to our heroes. Why not just come right out and say “the villain is X and his play is Y”, as opposed to “you’re on the right track, but pay more attention to the owls”?