Hehehe, and the effect used for the instrumental break that starts the bridge is a Leslie cabinet (mic’d exquisitely IMHO), which is usually imitated by using a “chorus” pedal by folks who don’t have roadies to haul around an extra speaker cabinet and head for one song. 
For reasons like that, I usually just identify song sections with A, B, C, D, etc. if I think about the lunacy of language when I’m communicating the proposed song structure to my band. If I forget about language being loony: If someone asks for backing vocals over it, or it repeats the lyrics, it counts as a chorus. If it only appears once in the song and it has another repeated part after it, it’s a bridge. If it doesn’t have another repeated part after it and it appears just once, it’s an outro. When we get to debating that, I try to fall back to A, B, C, D, etc. Then we can get to sane discussions such as what’s a full “A” part, and where does it actually repeat (the answer’s not always the same for everyone in some circumstances).