The Sleeping Gypsy by Henri Rousseau.
Horse and Train by Alexis Colville, followed closely by The Kiss by Klimt and the nicely creepy bits of Hieronymous Bosch.
That’s my third favorite. Mom gave me a framed print of it years back, and it hangs in the bedroom. The bedroom in the painting is reminiscent of a room in a house we lived in – bare but functional and with good light – and we had one Very Good Dog who looked just like that dog.
Another Wyeth favorite which I haven’t found a picture of is a tattered white curtain blowing in a window. I don’t know if it’s a detail or a whole painting.
I have a really difficult time picking a single painting, but if I had to choose, it would end up being one by Rene Magritte.
Possibly the 'Empire of Light '.
I’ve liked Sadak in Search of the Waters of Oblivion by John Martin for a very long time now.
(it’s in the Southampton Gallery - near where I live)
No idea why, but On the Terrace by Pierre-Auguste Renoir is my favorite. I am always disappointed when I visit the Art Institute of Chicago, and it is not displayed.
I like the Magritte pics a lot. I also have a Wyeth print that I really like. This is not it, but I found this online (and couldn’t find the one I have) and liked this as well.
AndrewWyeth
I also like this: Delaunay
I suppose I’m not really holding to the OP’s premise of ONE favorite art piece. (sorry)
Yowza. That is one busy painting!
What’s the error?
Monet’s La Japonaise.
Ooh, I love that one!
I’ve seen this hanging in BlueKangaroo’s home (or rather, seen it propped against a wall, and then I wrapped it up for moving day). It is stunning. It’s absolutely stunningly beautiful, there’s really no other way to describe it.
One of my favourites is Monet’s Irises. I have a watch with it on the face. I am also quite partial to the work of the Group of Seven, showcasing Canadian landscapes which I miss so dearly. Link to Stormy Weather, Georgian Bay by F. H. Varley.
This was always my favourite too, ever since I saw the book of details as a little grim child. I had the pleasure of seeing it in the flesh at the Prado gallery in Madrid last summer, and found another painting there which I loved - a depraved nativity scene with the creepiest Christ conceivable, and various examples of human frailty on show. But I can’t find out online what it’s called, or get an image. It isn’t The Adoration of the Child or the Epiphany triptych, though it’s similar… anybody know which I’m on about?
I was fortunate to be one of the first ten or so folks in line at the Rijksmuseum on my visit to Amsterdam this past August. Thus it was uncrowded and I could look at the artwork undisturbed for a long period. Picking a favorite painting would be hard, but I have to say that the Night Watch was awesome. You really can’t see the sheer beauty of it from a photograph.
A Friend In Need by Cassius Marcellus Coolidge c. 1870
Van Gogh’s Night Cafe with Pool Table.
The original is huge; it’s still busy, but it’s not microscopically so. And I have a very large jigsaw puzzle with that picture.
I’ve read that Pannini created four paintings on that theme, very much alike, but with differences in the room details and the paintings-within-the-painting. I’ve seen two of them.
Hard to describe, but I’ll try.
Imagine someone is holding a Rubik’s Cube in front of you so that the blue face is directly toward you. Take a picture of it. No matter how you twist, turn, or bend that picture, you’re only ever going to see the blue side.
Now bring up the painting again, and look at the pictures along the far right side. They’re on a wall that faces into the center of the room, and the tops and bottoms of the frames converge toward a vanishing point in the distance. But look at the contents of those pictures. We see the building facades, square with the borders of the paintings, but we can see a side of the buildings, too. Pannini gives the viewer a perspective on the paintings, but also on their contents; as if the subject was in three dimensions and changed as we saw the painting from a new angle.
You know how you sometimes read job descriptions where they say they want someone “detail oriented”; you think this is what they mean?
I would have to second Leah M’s vote of Empire of Lights. I have always had a fondness for Magrite’s playfulness.
And he always uses the best blues in his work.
The first time I actually saw The raft of the Medusa I was completely blown away. The only way to appreciate it is to visit the Louvre as there is no way to convey the scale of the thing in a reproduction. The original is 20 feet wide and 15 feet tall. :eek:
Scorned as Timber, Beloved of the sky by Emily Carr
Sure you can, I mean, The drum is right there out in the open plain sight!! I can see it clear as a bell
(this is also one of my favorites, but im a little biased :P)