My problems tend to fall into two categories, involving my real life and my creative life.
- Real Life:
This is how I pretty much handle my real life problems. I have a tendency to feel overwhelmed, and being an all-or-nothing pseudo-perfectionist means that if I can’t do everything at once, I decide to do nothing.
So one day I remembered one of my favorite childhood novels-based-on-real-life, Cheaper by the Dozen, written by Frank (jr.) and Ernestine Gilbreth about their family and particularly their parents, Frank Gilbreth and Lillian Moller Gilbreth. The parents, particularly the dad (at least prior to his death), were professional time and motion study experts, and Gilbreth Sr. devised a system he called “Therbligs.” It basically involves breaking a task down into nearly microscopic parts, identifying each mini-step along the way individually to figure out the most efficient way of performing these steps. And when I say “microscopic” I mean it; I believe he came up with 17separate “therbligs” involved in, say, shaving. First you search for the razor; then your eye spots it; then your hand reaches out to attain it; then you grab it; then you lift it to your face; then you… well, you get the picture. Therbligs, btw, are named after himself – it’s (roughly) Gilbreth’s name backwards.
This process came to me as I was in a deep trough of depression and unable to contemplate doing almost anything other than sleeping. Just washing and getting dressed before going to work felt like too much. So after coming up with copying the therblig idea, I thought to myself: what do I need to do to make each step in the morning as easy as possible? First, instead of getting up and staring at the closet deciding what to wear, then inevitably have to iron said clothing, I’d put my clothes out the night before. (Like, duh!) I made sure I had nice slippers so it was a pleasure to stand up and scuffle over to the bathroom. (I had a parquet wooden floor at the time and the blocks of wood were uneven, so it was always annoying as hell to bang my foot on one uneven piece of wood. Yes, things were this difficult for me.) I’d put my breakfast out (dry cereal in a bowl, covered with saran wrap, and a banana) the night before too. And so on. It really did make a difference.
The Therblig scheme has helped me during rough patches, though sometimes I don’t practice it as often as I should. In fact one of my cats is named Therblig. (Which I think is the best name for a cat ever.)
- Creative Problems (primarily writer’s block):
I’m a fiction writer. The hardest part of this for me has always plotting a novel (or a storyline for my online serial) from start to finish. I’d know where I wanted to start, and where I wanted to end up, but had difficulty with the “in-betweeen” parts. I was planning my first novel (a gothic romance) and was stuck as hell.
Then about ten years ago I read a book on mystery plotting, I think it was one of the Writers Digest books but unfortunately I can’t remember its name or the author. Anyway, it gave me the epiphany I needed:
I had to plot backwards.
Since I knew what the end of the novel would be – the revelation of the mystery of the heroine’s family skeletons – I jotted that down in bullet-point form on at the end of a spiral notebook. Then I turned to a previous page and thought: What would need to happen immediately prior to this final revelation? Well, the bad guy who’d duped the heroine and put her and her love interest in danger would need to get all his victims in one place together. Great! I wrote that down. Then turned to the previous blank page. Okay, so the villain’s about to get everyone together to murder them. What would happen right before that? In order for him to change his plans so abruptly (the original plans being that he would marry the heroine and kill the hero), the baddie needed to discover that his plans were about to unravel, and (since this was a gothic romance to be written in the heroine’s first person POV), this info would most likely come from the heroine herself, unwittingly revealing something that made the baddie realize his schemes were about to unravel. Wrote that down, turned to the previous blank page. How on earth would the heroine find out the damning information, and why wouldn’t she realize just how damning it was? Figured that out, wrote it down. Etcetera, etcetera, etcetera.
Plotting backwards has completely changed the way I plan my stories. Of course it’s especially useful since my books are very genre-bound (romantic suspense or mystery), rather than literary, and they almost all tend to involve mysteries that need to be solved. Mysteries are relatively easy to plot if you write them backwards. You start with the dead body and figure out how it got there, who killed it, how they did it, what steps they took prior to the killing in order to hide their plans, and so on. Then you add all the red herrings to surround the truth and throw everyone off the track.
So… well, I don’t know if this is what the OP wanted, but these are two problem solving methods that have helped me.