It all depends, FairyDust. I listen to jazz and some songs, e.g. “Lady, Be Good” and “Stardust,” are covered by many different artists. As long as they’re good, I don’t often compare them. I adore the song “Stolen Moments” and I have versions by Gary Burton, Ahmad Jamal, Miles Davis, and NY Sound Sensations. The latter is my favorite, but I like the other three.
I think Marvin Gaye, God rest his soul, was an excellent singer, and yet three of his most famous songs were remade by other people. “Heard It Through the Grapevine” was redone as an 11±minute jam by Creedence Clearwater Jam. I don’t think John Fogerty is nearly as good a singer as Gaye, but I admire his guts for trying to measure his band against such a formidable standard, and I do like his guitar solos on the song. (I’m aware that Gladys Knight & the Pips also covered the song, but their version, although listenable, is strictly lightweight compared to CCR and Gaye’s versions
“What’s Going on?” is a helluva of a protest song, and I really do like Gaye’s version. However, Les McCann covered this at the 1971 Montreaux Jazz Festival and did a version equal to Gaye’s with a much smaller band: McCann on electronic clavier and vocals, a bassist, a drummer, and a percussionist.
Gaye and Tami Terrell also recorded “Ain’t No Mountain High Enough.” I think this version is superior to Diana Ross and the Supremes’ version, although I like their cover.
Sometimes, as with Jimi Hendrix covering Bob Dylan’s “Like a Rolling Stone” and “All Along the Watch Tower,” Joan Baez covering The Band’s “The Night They Drove Old Dixie Down,” and Vanilla Fudge covering the Supremes “You Just Keep Me Hanging On,” I think the cover artist does a superior job to the orginal recording artist.
In other cases, like The English Beat doing the Temptations’ “Ball of Confusion,” Madonna covering “American Pie,” and any Michael Bolton remake, the covers are hideous, and I greatly prefer the original.
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