That could work. Machinegunning crappy oneliners kept Henny Youngman going for nearly a century.
So are you saying he can’t WRITE DOWN what he’s going to say because he’s a WGA member? Who’s gonna know? :dubious:
Well, he would, for one. So far as I know, he supports the WGA strike.
I’m saying that Leno, a man with hundreds if not thousands of stand up gigs under his belt will fare much better at holding an audiences attention with improv and off the cuff reactions than a guy who’s biggest claim to fame prior to landing a talk show was writing a Simpsons episode. Nothing against Conan, really he’s fine, but say Leno never took the gig and Johnny Carson still had it. Who would you expect to fare better, the seasoned old stage pro or the guy who wrote a funny monorail song?
Letterman is at his best when the stuff he has planned bombs. But I don’t think any of the late night talk show hosts will be able to come up with even the current 10 minute monologue much less the side bits to put on an evening show without some loss of quality.
I know they’re in a different union, but would say Leno writing his own stuff and crossing the picket line be considered a scab? If not at least pissing the writers off?
I’d agree with you except that Conan is in his 15th year hosting the talk show. I don’t know much about his improv skills, but I think he can vamp and be wacky for half an hour or an hour without much help.
I don’t watch any of the talk shows very often, so I’m probably not a good judge here. But I think Leno is about as funny as a supermarket circular - though obviously he did have a standup career - and Conan is pretty naturally funny. I get the sense that Letterman is Letterman whether he has a script or not.
Leno and Conan are both members of the WGA. That’s why they have stated that they will do “unwritten” shows only. They do not intend to violate the writers’ strike. And I believe Conan has said something to the effect of “I hope the show does suck, just to show the producers how much they need writers.”
Jumping Jesus on a pogo stick, am I that old? Ok, I’m sure he’s picked up enough tricks in 15 years that he can do a few bits on his own, but I’m sticking with Leno to be the best. Maybe he’ll be funnier doing his own stuff than the writers stuff (which I agree is tepid at best)
Ok. De gustibus unum or whatever it is.
Actually, I did overestimate a little. He went on the air in late 1993.
SNL did a sketch once that showed the aftermath of the teleprompters failing to work on a local wake up show (mayhem that resulted in cannibalism)- I predict something similar. 
You keep using the word “funny” to describe Jay Leno, I don’t think it means what you think it means. He might have been funny once, he may have an occasional good bit now and then but his delivery sucks. He constantly repeats his punchline which doesn’t make it any funnier, or he yells the punchline which doesn’t make it funny either, the longer he’s been around the worse these habits have become. Frankly, I think he’s just been coasting for a long time. The funniest thing he does is the Headlines bit and he really has nothing to do with the humor in those.
Conan has written more than just one Simpson’s episode. He’s written for SNL and he’s written some other things. He’s won an Emmy for his writing. Frankly I think Conan is funnier* than Leno or Letterman.
But Craig Ferguson is the funniest of them all!
I know Marley23 addressed this, but he’s been writing and producing since the 1980s, gained a cult following on the show, and hosted the Emmys. He’s no joke.
During the aforementioned previous writers’ strike, those (like Letterman) who went it alone were IMO awful. They’d do better to go to a short monologue and long interviews.
I sort remember Letterman from the 88 strike. The top ten lists were particularly dire during that period.
Not sure what it’ll mean but AFAIK, Letterman is the only one to have gone through a writers strike before and even tried to muddle through without them for a bit. When the strike was over he said pretty much “Yeah, we gave it a go for a week with out the writers. It sucked, and we gave up.”