The same principle applies to working on bad films.
In 1987, Michael Caine accepted $1.5 million to put in a week’s work in the Caribbean (bringing his family along for the vacation) on Jaws: The Revenge, the fourth in the series. He later wrote in an autobiography, “I have never seen the film, but by all accounts it was terrible. However, I have seen the house that it built, and it is terrific.”