Will there ever be music as good as or better than music from the late 1960's and early 1970's?

I don’t think music will penetrate well at all anymore if it’s free, and there’s nothing to seek out, no rarity, no thrill.

Nobody said a music was good because it was distributed efficiently. False premises.

Nobody said complex was inferior or superior.

Different music makes different people cry at different times of their listening career. I hope someday to be able to cry when I hear a classical piece. You can be a musician and not understand all music. Lennon hated Jazz.

"The metric of Rock & Roll being better than other genres of music? No. It’s not. Being more popular doesn’t make it better. "

All music will circle the globe instantly now so therefore 70s music wasn’t as good as it sounds? It’s false premises and conclusions.

Nobody claimed superiority against other forms based on popularity. The golden era is superior to other pop genres maybe: It has legs where others have fallen or been forgotten, even though they benefited from the same distribution systems. The artists of that era earned the right to take risks, have spontaneous recordings etc because of all the people who were buying records at the time. The record companies could let artists develop and nurture new ones. That opened the whole game for lots of people who never would have been heard in other eras. That is the definition of progress to me. It’s wide open now but since it’s free theres no reason to do or listen to anything. It’s just taking you away form the other thing you wanted to do.

“The London (and burbs) musicians were the most technically advanced musicians in the world? Not when you compare them to the LA session musicians.”
I would never say that. The London boys who wrote the tunes had soul though. I’m not a guitar hero worshipper. I care about songs. And they wrote them. And that’s all that matters. I don’t give a fig about clapton, and just enjoy beck. Its Davies and townshend that matter.

The conversation has turned on technical virtuosity a lot here, but never by me. This is folk music, not as complex as some but certainly competing with all the other folk music forms made by people without perfect pitch (All the longhairs considered masters had perfect pitch, how fair is that? Waaah)

Classical music didn’t usually have lyrics. So comparing Dylan to Mozart is impossible. You can’t favor either one. They’re just doing different jobs.

There are no modern or 80s or 90s analogues to Dylan, Lennon, McCartney,Wilson, Joni, Neil, Marvin, Stevie, Bowie, Jagger, smokey.

Thanks for reminding me of a lot of great bands I forgot for a minute there but cmon guys: none of those comes even close. (Except Robyn Hitchcock I’d say is in the pantheon)

I’m reading a book about peter Gabriel right now and I’m stopping after his third LP. I’m listening to old Genesis and I love the chords but I gotta say it can be a little silly. Somehow They got better when PG left Hmm. Too pretentious for me on the whole. Gave up after album 2. When Steve Hackett was in Genesis it was good, then…
Kate Bush is on my list of people to explore. Thanks.

Roxy music: Just read a book on them too. I listened to some recently and I thought that all the songs sound like the other RM songs. Try it and see. They’re on my overrated list. That’s me.

Well The reason I get worked up about this is I listen to radio stations that play deep and off center music from this time period (Boston college Radio stations) and I have been impressed over the years at how much there is to explore and uncover. That is my measure of greatness. The incredible variety, and imagination. I haven’t found it in other forms.

Didn’t Ringo play on everything except the first version of the first single, and then some things that Paul did alone? He didn’t play on back in the USSR, I know, But don’t play him cheap (;0)

I want to point out, in case Pink Floyd (Post Dark Side) gets dismissed by some as ‘drug music’…there’s not a damn thing ‘trippy’ about Pink Floyd. Maybe ‘mean drunk’ at worst. But that is mostly stark, stone-cold sober music.

And re: Peter Gabriel…yeah I prefer III, IV (Security), Up, and Us

Preaching to the choir here…1973 I think is my fave year in music.

But I found and bought and enjoyed quite a bit up to around 1987 when bands like The Cars and Police imploded, and Genesis reached a pop tipping point.

After that, music came out that I could appreciate and recognize as ‘good, but not my thing’ up to around 2004.

I feel bad for picking on Ringo. I chose him only because everybody knows who he is (at least I hope the young people do?).

But, yeah, Ringo would be an example of a band member who did not need to be replaced by a session musician for recordings. He was exactly the type of drummer the Beatles needed and much more talented than many people give him credit for. He found the groove and delivered. A good case of less being more. Beatles music would have suffered if they had Keith Moon keeping the beat. Same goes for George—a guitar shredder would have been a bad choice for the Beatles (well, it would have been fun for Helter Skelter, Birthday and Ticket to Ride). The weakest instrumentalist of the Beatles was John (and he had better chops than most). But, he was the greatest creative genius, so he earned his spot as band leader.

And Taxman could have gone either way. If the shredder brought some inventive licks and virtuosity it could have been better. But I could see another guitarist playing basically the same thing but with a more hard rock tone which would have lessened the song.

Thats funny; Taxman is Paul on lead guitar and I thought it was great. He plays lead on good morning too and to me those are the two psychedelic lead solos that the beatles did. Which means paul is a Psych PIONEER.

I never heard of David Ackles…I’m digging it.

As a return favor I recommend Leo Sayer’s (Silverbird and Just A Boy) first two albums before he went to pop hell. His “The Show Must Go On” is just fantastic IMHO

Pioneer is pushing it. The Byrds had already released 8 Miles High by the point those were recorded, and Pink Floyd were playing psychedelic shows that the Beatles supposedly attended.

Like most things, the Beatles didn’t so much invent anything as package it neatly for popular consumption.

Yeah. Paul was a supporter of Floyd. They took a visit when they were recording Lovely Rita, and Floyd were making Piper (With Hurricane Smith producing, having engineered the beatles records through Rubber soul) at Abbey Rd. The beats were big byrds fans. But it went the other way too. I think all three of those were pioneers.
You could call this thread 8 Miles High. That’s how great that song is.

It’s clear that the Byrds wouldn’t have been what they were to start with without the influence of the Beatles and Dylan, but they very quickly outgrew that - like, in less than a year. Have you heard the 1965 demo version of 8 Miles High, from one of the reissue albums? It’s wilder, if not necessarily better, than the released version, and possibly the earliest true psychedelic rock performances.

I’m not going to say that overall the Byrds were better, they were far too inconsistent, and went through too many members, but their best stuff is about as good as it gets.

Here’s the late 1965 version.

Yeah i was going to chime in again on this. The Byrds formed as a rock band after McGuinn and Crosby saw Hard Days Night, like the very moment that they left the theater. No Beatles, no Byrds.

To me the Byrds were a little faceless. Inconsistent, thy name is Crosby. A lot of the records were played by the famed LA session guys. Crosby doing Hey Joe is embarrassing. (And that isn’t the only embarrassment at all) Hillman was ballast. Gene clark never got to have a solo voice. Crosbys was the best stuff over all to me and they fired him. Allright I’m done.

To me there were a lot of tuned in people turning each other on with sounds. They were all ahead of most of us.

As far as I know, it was only the first single that was played by session musicians - although that (Mr Tambourine Man) is still the one most people hear.

Hillman and Clark did better stuff after they left, to be honest, maybe Crosby as well. But then, my favourite period of the Byrds is slightly later, around (Untitled), with the Roger McGuinn/Clarence White/Skip Battin/Gene Parsons lineup. More consistent, far better musicianship, and a lot of decent songs. We’ll just pretend Byrdmaniax doesn’t exist…

The person upthread who mentioned liking Rick Wakeman and progressive/symphonic rock would probably also like Renaissance.

When I was in college, I made pretty good cash as a part time stage hand in Philadelphia (my BIL, a professional stage hand, got me the gigs). I worked the Spectrum, the Landing’s Open Air Theater, The Academy of Music…etc.

I worked the Renaissance show at the Landing. It was great. I had a big crush on Annie Haslam at the time, so you can imagine my thrill when she talked with me and gave me a peck on the cheek (I’d rather it have been a peck on my pecker, but you gotta be happy with what you get).

I got David Bowie’s autograph when he came to the Tower Theater during his Diamond Dogs tour. He wrote, “Dear Tibby, you’re great. Love Always, David.” Not that there’s anything wrong with that, but I was too embarrassed to show that to many friends.

All of the big names that I had the opportunity to talk to were very gracious and accommodating. The only jerk prima dona I met was an Elvis impersonator who was popular at the time. When a lady asked him if he would pose with her young son (who was handicapped in a wheelchair), he replied, “if you pay me $15 dollars I will.” He overheard me say, “what an asshole”, but I don’t regret saying it.

And, now I get to post my little stealth brag, once again: I worked the Chubby Checker Revival show in Philly. We were on break setting up the sound equipment and instruments, and I was goofing off playing keyboards for my fellow stage hands (boogie woogie on the band’s Fender Rhodes). Who do you think walked up behind me and tapped me on the shoulder? Go on, guess damn it! That’s right—the Chubby man himself, and his manager! (I’m just glad I wasn’t dancing the Twist).

Chubby says, “You’re not bad kid, how’d you like to play in my band tonight?”
“Huh?”
“My keyboardist got in a car wreck today and broke his hand…he can’t play. You can fill in.”
“Homina, homina, homina…I love your music Chubby, but I don’t know how to play your songs.”
“Can you read a chord cheat sheet?”
“Yes”
“Then you can play with me tonight. We’ll turn your volume down a little just to be safe.”
“Homina, homina, homina…ok.”

I was starting to imagine next morning’s Arts and Entertainment headline in the Philadelphia Inquirer, “Chubby and Tibby Twist All Night…Fans Explode and Throw Their Underpants to the Duo!”

But, alas, my dream was not to be fulfilled. The keyboardist showed up at the last minute, said he could still play…and I was dropped like a hot potato. (Chubby, how could you forsake me like that!?! :()

…I had a well-received tuba solo in middle school band. Want to hear about that?

That reminds me we should not forget the incredible Brit female singers of the era. Annie Haslam, Sandy Denny, Jacqui Macshee of Pentangle, and my favorite Maddy Prior. I don’t like Steeleye span, I could never get the combo of traditional songs and electric guitar. But when she sang folk, wow, it sounded like she was singing 400 years ago. I think those ladies are right up there with anyone who ever sang.
Theres a great LP called Summer Solstice by Maddy Prior and Tim hart you should check out.

I love the electric folk stuff, and also the acoustic. If you like that Prior/Hart album you should check out the two Folk Songs of Old England albums they did a couple of years earlier. And anything by June Tabor, she only started recording in the late 70s but was performing at the same time as the people you mention.

Are you kidding me? The Beatles were on the bleeding edge for their entire catalogue. Everyone else followed them.

I’m finding the opposite. As I’ve gotten older I’ve started to appreciate the music that my generation spurned – crooners like Sinatra and Crosby, big band music… I think Patsy Kline was about the best vocalist ever…

I liked the crooners too and agree Patsy was one of the best. Big band swing really rocked the house.

I haven’t kept up too well with modern popular music since the Beatles split. We’re still in the Disco craze, right?