Worst Best-Seller (Novel?)

oops. :smack: But still, Asimov was known to have research assistants, which is almost *de rigueur *when you write a non-fiction book, such as Asimovs Guide to the Bible or Shakespeare. This doesnt mean he didnt write all his books or that they were written by commitee.

However, he did count in his total a number of books where he was the editor, not the primary writer.

It also lists 117 science fiction anthologies, none of which are entirely by Asimov, and many of which include no stories by him (and so some people might be inclined not to count those.) There are also books which were almost entirely written by someone else (the Superquiz books, From Harding to Hiroshima, the Book of Facts) which Asimov counted because he had an extensive role in the editing of the book. Some books were counted more than once if Asimov did extensive work on later editions (such as the Biographical Encyclopedia.) And, of course, Asimov recycled many of his stories and essays so that they appeared in more than one collection, and some books are nothing but recyclings of older books.

There’s an article in The New York Review of Science Fiction (issue 91, March 1996) in which someone calculates the number of books that Asimov’s works would take up if you just count the things he actually wrote, not the things he edited. This eliminates the multiple appearances of some stories and such. It also eliminates the retitling of previous books. The number calculated is about 200. That’s not that surprising. He spent essentially every day full-time, from the time he retired from teaching in 1958 (and he wrote a lot before he retired) until a few months before his death in 1992, writing, and he wrote fairly fast. That’s turning out about six books’ worth of original writing per year. I’ve never seen any claim before now that Asimov used research assistants. Where did you see it?

Asimov was not known to have research assistants. I’ve read enormous amounts about him and I’m not aware of any research assistants. You’d think their names would be famous in the tiny sf world. They are not. They may exist, but I will not acknowledge that until I see real evidence.

He’d have given public thanks to them in his books. He thanked his editors, his wife, his daughter, his friends, etc. He was always very open about thanking readers who corrected his (rare) errors. It’s way out of character for Asimov to have used researchers and not to have thanked them.

OMG! My mind had expurgated that reading experience, in self defense. When you ripped the scar tissue off, the memories flooded back! My biggest problem with it was that it actually had potential at times, but always spoiled in each section’s “climax”.

Harry Potter is an example of a style of writing (long, slow, age 9-11) that has a long history, but was very unpopular with publishers in the 70’s and 80’s. At that time, publishers believed that the market for simple childrens books was in short, fast, action books.

And it’s a school book, another wildly popular genre inexplicably abandoned by publishers.

Given that there was almost no competition in an obviously vacent mass-market, I think that the brave decision to go against conventional wisdom is enough to explain the HP phenomenom. And no, I can’t think of any other vacant market segments that publishers could expand into every couple of years.

Thought all of the books mentioned above were crap, but Danielle Steel is the worst of that lot, and GoT is much worse than HP or dVC.

Indeed.

The only good thing I recall of it is that they made a forgettable movie of it that had a nice Neil Diamond theme song. :rolleyes:

Presuming you like Neil Diamond.

I loved that book … though I was probably 10 when I read it.

I remember liking it too, although I was also about 10 and can’t remember much about it now.

ETA: I just looked up the description on Wikipedia and was kind of surprised to find that what I did remember was entirely from Part One. I’m pretty sure I did read the whole book, but most of the description doesn’t sound familiar at all.

Absolutely. Bad as the movie was, the novel was definitely worse. For some reason when I read this I had a weird personal rule, “start it, finish it”, I never set novels aside partially read. I did finish the thing, but decided to ditch that rule, I was never going to put myself through that useless dreary pain again.

I, too, used to have a rule about finishing books I’d started. I remember the sense of liberation when I put that rule aside.

(I also remember the same sense of great freedom, as if released from a prison, the first time I ever walked out of a movie. It was “Mr. Majestyk” with Charles Bronson, and, maybe 25 minutes in, I decided I was not having fun. I stood up, and walked out, and felt great about it!)

Coma

I was nothing less than outraged when I read it, that someone who can barely form coherent sentences got a book published at all, much less that it became a best seller.

Not to mention a big-budget movie, directed by fellow bad-book writer Michael Crichton, then got made into a 2012 mini-series produced by Ridley Scott!
I haven’t read anything by Robin Cook, but he’s had a LOT of books published. Of course, if this thread teaches us anything, it’s that THAT doesn’t necessarily mean very much.

And both Cook and Crichton made it through medical school.

I have little experience with most of the books mentioned here. The only real candidate mentioned I have read and remember is Battlefield Earth. I read it as a child, heavily into my newly discovered love of science fiction, and motivated mostly by the facts that (a) my brother and sister had both read it, and (b) it was over 1000 pages long! This is when most books I was reading were 300 pages long at most. It was just a badge of honor.

My brother and sister both slogged through within a week each, so I was challenged to keep up.

At the time, I didn’t think it dreadful, but I know better now. I did like one little gimmicky idea.

The Psychlos have transporter technology, but they want to protect it from any stupid alien races like us slacker humans. So they have a control panel that has one switch that is changed every time the panel is operated. If you try to set the controls exactly like last time, it won’t work. You have to know to reverse the one switch. Apes like us humans would presumably see the board configured and try to replicate it and not be able to, because even if you memorized the configuration of every switch, it wouldn’t work.

I thought that was a dastardly cool concept, or the root of a dastardly cool concept. But the rest of it was pretty bad. Even then, I had issues reading it.

Harry Potter is not dreck. It may be a bit simplistic in places, and the later ones may suffer from a lack of editing for length and content, but it’s not dreck.

While I did read Jonathan Livingston Seagull as a child, I recall absolutely nothing about it. I even glanced at the description in wikipedia. Nope. Nada.

I have Clan of the Cave Bear sitting on my shelf waiting to be read, along with a hundred other books I have gathered but not gotten to yet.

Eragon was not dreadful. It might have been a bit derivative, but the author was 15 when he wrote it.

But honestly, for badly written books that get a lot of acclaim, nobody has yet mentioned Moby Dick. A couple years ago I decided to read it. OMG, it’s horribly written. Melville goes off on wild tangents. He writes a whole friggin’ sermon and subjects us to it. He goes on a long exposition about whales. There’s no story there, just chapters about whales. I gave up. The good elements have been extracted and condensed into other forms.

None of these are the worst books I’ve read, but the worst that have some sort of popular acclaim.

I would note the first novel by Walter Koenig (of Star Trek fame) as pretty bad, though I did finish it.

There’s one David Gerrold book that was so bad I did quit reading it: Under the Eye of God. I picked this up when I was in a huge David Gerrold phase, and a pretty big fan. This cured me.

Because everybody’s best work is eliminated in the “averaging” process to make it feel like one author’s work? Because sometimes committees are too focused on doing what they know will sell instead of trying have an original idea or construction? Because the process and industry reward lowest common denominator crap cranked out as fast as possible to fit an existing mold or publisher’s idea of what sells rather than striving for any sense of creativity? Because they already have a big author’s brand to drive sales, so who needs quality?

Everything said in this thread about DaVinci Code is true; but consider this: it’s better than Angels and Demons. :eek:

I have to go with the DaVinci Code. The protagonist make wild suppositions that are perfectly accurate and yet are particularly out of brilliance when it comes to a basic fact (at least it should be basic for them. Hell I knew this and I’m not a symbologist) that the word for wisdom is sophia. It is the archetype for writing a novel in which everyone needs to do the perfect thing and then be a complete idiot for the plot to work.

I’m glad you mentioned this – otherwise I wouldn’t have thought to consider the “classics”. My candidate is Silas Marner. I can’t recall why they forced us to read this dreck in high school – perhaps as punishment? I did take a lesson away from it – being a peasant sucks and is incredibly boring.

Re: Angels and Demons…we’ve got the Illuminati whacking cardinals and plotting to blow up the Vatican with an anti-matter bomb. Cool. I can roll with that. But when the climax hinges on the Pope’s right-hand-man being a former military helicopter pilot, that’s when I go “Seriously??” The line I cannot cross. :slight_smile: