Hmm. Five. You’d think this’d be easier since I haven’t been to a live music performance in at least five years. I haven’t tried to put these in any order.
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[li]They Might Be Giants, Cotton Club, Atlanta, summer 1988. Besides being a great show, previewing material that later turned up on both Lincoln and Flood, including “Istanbul (Not Constantinople)”, among the crew I went with I met a nice Jewish girl who later became my wife.[/li][li]Elvis Costello, Atlanta Civic Center, spring(?) 1988. Part of the solo acoustic tour he did with Nick Lowe opening (also doing a solo set). Sponsored by the Emory University social committee, tickets for Emory students were three dollars (they were only about $10, IIRC, for non-students). Really interesting, fun set. Open seating, and we ended up about four or five rows back on the right-hand side of the auditorium.[/li][li]Joe “King” Carrasco and Alex Chilton, The Dugout, Atlanta, 1987 or 1988. These actually were two different shows about a week apart, but in the interest of cramming more stuff into my quota of five shows, I’m combining them into one entry. Both were great, high-energy shows in a small storefront club directly across the street from Emory U. The stage, a platform raised about 18 inches above the floor level and maybe thirty feet wide by fifteen feet deep, was backed up against the windows at the front of the room, so that the performers had to walk through the crowd to get on or off the stage. Standing on the floor facing the stage, you could literally reach out and wrap your arms around the waist of the performers if you were inclined to do so. I spent all of both shows standing right there in front of the mike. Chilton actually did several Big Star numbers and, amazingly, “The Letter” as part of the encore.[/li][li]The Cramps with Flat Duo Jets opening, The Roxy, Atlanta, 19??. One of the last shows I went to, probably in 1992 or 1993. Dexter was having a bad night, so Flat Duo Jets weren’t up to their usual standard, but The Cramps were amazing. It was well worth the price of admission just to watch Nick Knox on drums. Lux climbing the stage gear was just gravy, and Poison Ivy of course was well worth watching. My watch stopped at the stroke of midnight – all three hands lined up on the twelve – and I always thought that should have been an omen but was never sure of what. Ended the evening (as usual) at the Majestic (an all-night diner on Ponce de Leon), where we were treated to the spectacle of Dexter slumped into a booth with the rest of the band.[/li][li]k.d. lang, Center Stage, Atlanta, September 1988. First “official date” with my wife. After meeting at the TMBG show in the summer mentioned above, she’d gone back to North Carolina, moved down to Atlanta in August, then gone out on the Friday before Labor Day with the same crew that had been at the TMBG show. She flirted and didn’t discourage my attention to her that night, then turned down every suggestion I made about getting together again for nearly a month. She finally agreed to go with me to this show, after which she informed me she was “sort of” engaged to a guy living in Charlotte. She continued to come up with reasons why we shouldn’t date each other until early November. We both came up with lots of reasons we shouldn’t get married, and continued to until 1995. Oh yeah, the k.d. lang show (just after Shadowland was released) was pretty good too.[/li][/ul]
That’s five; here’s the honorable mention list:
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[li]Flat Duo Jets, The Forty-Watt, Athens, GA, 1987-8. Drove over with some friends, the first time I’d been to Athens. Dexter was on that night. Boy was he on.[/li][li]Translator, SOB’s, Little Rock, AR, summer 1986. Probably stands out for me mostly because after being a fan for several years, I’d never expected to see them live in Arkansas. Unfortunately, it also turned out to be their farewell tour.[/li][li]Tav Falco and Panther Burns, Cotton Club, Atlanta, sometime around 1990-1991, possibly earlier.[/li][li]The Connells, SOB’s, Little Rock, AR, summer 1986. Very good show, with my ex-roommate’s band opening.[/li][li]The Connells, The Rollick (nee the 688, Atlanta, GA, early 1987. I’m pretty sure this one happened after the 688 shut down and was re-opened under new management as the Rollick a few months later, though it may have still been the 688 then. Anyway, the show was added at the last minute (about 10 days in advance) as a place to stop and make a few extra bucks as the band headed out west for a tour, and Creative Loafing (the local “what’s happening” weekly tabloid) screwed up the band name in the ad. I showed up on a hunch that it might be them, having really enjoyed myself at the Little Rock show mentioned above. At the posted start time, there were four people in the club besides the band. George Huntley wandered over to the bar where I was sitting and we had a very pleasant conversation for a about an hour, by which time another seven people had walked in, mostly friends or friends-of-friends of band memebers who they’d called after realizing no one else was going to show up. They went on stage and did a very respectable and professional set.[/li][li]The Meat Puppets, an abandoned commercial nursery warehouse, Little Rock, AR, 1987. While visiting during a break from graduate school, happened to catch this show, which apparently had to be relocated after the original venue fell through. Even the electrical service was temporary, provided by generators outside the metal shed. Good show though.[/li][li]Elvis Costello and the Attractions, with Aztec Camera opening, Mud Island Amphitheatre, Memphis, 1983 or 1984 (Punch the Clock! tour). Good show, highlighted by the cover of the OJays’ “Backstabbers”, and a really cool moment during “Shipbuilding” as a riverboat passed through the narrow channel between the island and downtown Memphis, behind the stage and thus in full view of the audience, as if on cue.[/li][/ul]