Your Favorite Passage of Poetry

Another family favorite I often heard recited at my house as a child:

The Moon’s the North Wind’s cookie.
He bites it, day by day,
Until there’s but a rim of scraps,
That crumble all away.

The South Wind is a baker.
He kneads clouds in his den,
And bakes a crisp new moon
That greedy North Wind eats again!

Vachel Lindsay

John Donne, especially the bolded part:

Thou hast made me, and shall thy work decay?
Repair me now, for now mine end doth haste,
I run to death, and death meets me as fast,
And all my pleasures are like yesterday;
I dare not move my dim eyes any way,
Despair behind, and death before doth cast
Such terror, and my feebled flesh doth waste
By sin in it, which it towards hell doth weigh.
Only thou art above, and when towards thee
By thy leave I can look, I rise again;
But our old subtle foe so tempteth me,
That not one hour I can myself sustain;
Thy grace may wing me to prevent his art,
And thou like adamant draw mine iron heart.

What a great idea for a thread!

My father grew up in the 1920s and was required to memorize lots of poetry. Over 60 years later he could still recite many of his favorites including “Casabianca” by Felicia Hemans
The Boy stood on the burning deck
Whence all but he had fled;
The flame that lit the battle’s wreck
Shone round him o’er the dead.

And Longfellow’s Evangeline:
This is the forest primeval. The murmuring pines and the hemlocks,
Bearded with moss, and in garments green, indistinct in the twilight,
Stand like Druids of old, with voices sad and prophetic,
Stand like harpers hoar, with beards that rest on their bosoms.
Loud from its rocky caverns, the deep-voiced neighboring ocean
Speaks, and in accents disconsolate answers the wail of the forest.

One he really loved was Christina Rossetti’s “The Wind”; I heard him recite it many times and love it too.

Who has seen the wind?
Neither I nor you:
But when the leaves hang trembling,
The wind is passing through.

Who has seen the wind?
Neither you nor I:
But when the trees bow down their heads,
The wind is passing by.
One of my mother’s favorites which I share with her is Yeats’s “The Lake Isle of Innisfree”

I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made;
Nine bean rows will I have there, a hive for the honey bee,
And live alone in the bee loud glade.

And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, and noon a purple glow,
And evening full of the linnet’s wings.

I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart’s core.

Three of my favorite poems are luminous ones reflecting on mortality, immortality and infinity

Here’s a favorite verse from William Blake

To see a World in a Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the palm of your hand
And Eternity in an hour.

Calmly We Walk through This April’s Day
by Delmore Schwartz

Calmly we walk through this April’s day,
Metropolitan poetry here and there,
In the park sit pauper and rentier,
The screaming children, the motor-car
Fugitive about us, running away,
Between the worker and the millionaire
Number provides all distances,
It is Nineteen Thirty-Seven now,
Many great dears are taken away,
What will become of you and me
(This is the school in which we learn …)
Besides the photo and the memory?
(… that time is the fire in which we burn.)

(This is the school in which we learn …)
What is the self amid this blaze?
What am I now that I was then
Which I shall suffer and act again,
The theodicy I wrote in my high school days
Restored all life from infancy,
The children shouting are bright as they run
(This is the school in which they learn …)
Ravished entirely in their passing play!
(… that time is the fire in which they burn.)

Avid its rush, that reeling blaze!
Where is my father and Eleanor?
Not where are they now, dead seven years,
But what they were then?
No more? No more?
From Nineteen-Fourteen to the present day,
Bert Spira and Rhoda consume, consume
Not where they are now (where are they now?)
But what they were then, both beautiful;

Each minute bursts in the burning room,
The great globe reels in the solar fire,
Spinning the trivial and unique away.
(How all things flash! How all things flare!)
What am I now that I was then?
May memory restore again and again
The smallest color of the smallest day:
Time is the school in which we learn,
Time is the fire in which we burn.

“The Truly Great”, Stephen Spender

I think continually of those who were truly great.
Who, from the womb, remembered the soul’s history
Through corridors of light, where the hours are suns,
Endless and singing. Whose lovely ambition
Was that their lips, still touched with fire,
Should tell of the Spirit, clothed from head to foot in song.
And who hoarded from the Spring branches
The desires falling across their bodies like blossoms.

What is precious, is never to forget
The essential delight of the blood drawn from ageless springs
Breaking through rocks in worlds before our earth.
Never to deny its pleasure in the morning simple light
Nor its grave evening demand for love.
Never to allow gradually the traffic to smother
With noise and fog, the flowering of the spirit.

Near the snow, near the sun, in the highest fields,
See how these names are fêted by the waving grass
And by the streamers of white cloud
And whispers of wind in the listening sky.
The names of those who in their lives fought for life,
Who wore at their hearts the fire’s centre.
Born of the sun, they travelled a short while toward the sun
And left the vivid air signed with their honour.

I through love have learned three things,
Sorrow, sin and death it brings.
Yet day by day my heart within
Dares shame and sorrow, death and sin…-Ferguson

What a great thread! I’ve always been partial to a bit of Kipling:

Yes, makin’ mock o’ uniforms that guard you while you sleep
Is cheaper than them uniforms, an’ they’re starvation cheap.
An’ hustlin’ drunken soldiers when they’re goin’ large a bit
Is five times better business than paradin’ in full kit.
Then it’s Tommy this, an’ Tommy that, an` Tommy, 'ow’s yer soul? "
But it’s " Thin red line of 'eroes " when the drums begin to roll

Emma Lazarus, “The New Colossus”

*Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.

“Keep ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!*”

Or, as it is often rendered:

The boy stood on the burning deck
Eating peanuts by the peck
I don’t care, he loudly boasted
Because I like my peanuts roasted.

“O Captain! My Captain!” by Walt Whitman:

*O Captain! my Captain! our fearful trip is done,
The ship has weather’d every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.

O Captain! my Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills,
For you bouquets and ribbon’d wreaths—for you the shores a-crowding,
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head!
It is some dream that on the deck,
You’ve fallen cold and dead.

My Captain does not answer, his lips are pale and still,
My father does not feel my arm, he has no pulse nor will,
The ship is anchor’d safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
Exult O shores, and ring O bells!
But I with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.*

The Raven by Poe.
My favorite lines are -

Perched upon a bust of Pallas just above my chamber door—
Perched, and sat, and nothing more.

Pallas, being one of the second generation of Titans in Greek mythology. For the Raven to perch on the bust of Pallas is to treat it and all human affairs with complete disinterest. They are of no consequence. There was simply no room in the Raven’s agenda for such silliness.

I am feeling in a brief mood.

My favourite line of Poe’s is a single sentence he wrote in the devastating grief of the loss of his daughter:

Wherever she was, there was Eden.

And a piece by Houseman engraved on a war memorial:

*Here dead we lie because we did not choose to live, and shame the land from which we sprung.

Life, to be sure, is nothing much to lose,
But young men think it is, and we were young.*
And another haiku from, I think, Basho (the 5-7-5 form is lost in translation):

Girl cat! So thin on barley and love.

Jenny Kiss’d Me
By Leigh Hunt

Dunno, I’ve just always loved that.
Something quite different: Sohrab and Rustum

I guess I’m a sucker for melodrama

My father was a fan of Rudyard Kipling and he gave me several pieces of his work. One of my favorites is “If.”

** If**

If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too:
If you can wait and not be tired by waiting,
Or, being lied about, don’t deal in lies,
Or being hated don’t give way to hating,
And yet don’t look too good, nor talk too wise;

If you can dream - and not make dreams your master;
If you can think - and not make thoughts your aim,
If you can meet with Triumph and Disaster
And treat those two impostors just the same:.

If you can bear to hear the truth you’ve spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build’em up with worn-out tools;

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings,
And never breathe a word about your loss:
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: “Hold on!”

If you can talk with crowds and keep your virtue,
Or walk with Kings - nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much:
If you can fill the unforgiving minute
With sixty seconds’ worth of distance run,
Yours is the Earth and everything that’s in it,
And - which is more - you’ll be a Man, my son!

“The dreamer, the unwoken fool.
In dreams, no pain will kiss the brow.
The love of ages fills the head,
the days that linger there in prey of emptiness,
of burned-out dreams.
The minutes calling through the years.
The universal dreamer rises up above his earthly burden,
journeys to the dead of night,
high on a hill in Eldorado…”

Electric Light Orchestra, “Overture,” Eldorado

That reminds me of the favorite poem of one of my favorite teachers:

Eldorado by Edgar Allan Poe

Gaily bedight,
A gallant knight,
In sunshine and in shadow,
Had journeyed long,
Singing a song,
In search of Eldorado.

But he grew old—
This knight so bold—
And o’er his heart a shadow—
Fell as he found
No spot of ground
That looked like Eldorado.

And, as his strength
Failed him at length,
He met a pilgrim shadow—
‘Shadow,’ said he,
‘Where can it be—
This land of Eldorado?’

‘Over the Mountains
Of the Moon,
Down the Valley of the Shadow,
Ride, boldly ride,’
The shade replied,—
‘If you seek for Eldorado!’

The great lines from Virgil’s Aeneid, Bk 6, ll. 124-129

Translated brilliantly by John Dryden.