I spent the entire holidays watching movies. Watched dozens of movies in an orgy of cinematic excess. Didnt go in for the music, but some of the music was haunting and stuck in my head. Now I am on a project to collect up some of the more memorable pieces of cinematic background music to weep over.
I particularly liked the music scores for the following movies / TV series:
Battlestar Galactica
Blade Runner
Legend og the Shadowless Sword
Ong Bak
Hero
Another Earth
Crouching dragon, hidden tiger (or whatever)
I like deeply emotional music that fits the mood of the moment well, particularly if the mood is sombre or melancholic. I like movies that pack a deep emotional wallop. I am trying to outgrow this, but it’ll take time.
Same composer, but I would go for his music in The Good, the Bad, and the Ugly. Ecstasy of Gold is brilliant.
Not sure if it’s quite what the OP is looking for, though. For a movie about such desperate characters, most of the music is anything but somber or melancholic
Ever since I saw the movie, I’ve felt that the soundtrack to Glory was magnificent - moving and, yes, glorious.
ETA - If we’re allowed to mention soundtracks based on previously composed works, then Platoon, featuring Samuel Barber’s ‘Adagio for Strings’, is beautiful, and doleful, beyond words.
Yeah, I like both. I just watched OoA for the nth time over the holidays. I never get tired of that film. Funny thing about both those films, though, is that the succeed despite the lead male actor.
I’m going to throw in Into the Wild. Eddie Vedder did a great job on the soundtrack.
The score for Love Actually continues to impress me. And Shakespeare in Love didn’t win the Oscar for nothing. And Apollo 13 is very inspiring.
But the main title of North by Northwest is still the all-time King Daddy of film scores. On this there can be no dispute. Case closed. I win the Internet.
Strange you should mention Morricone. Over the holidays I Netflicke’d Once Upon a Time in the West for my F-I-L and B-I-L who’d never seen it before. I was reading Wiki off my cell as it went along and giving them commentary on various aspects, like the leitmotifs Morricone used for at least three of the actors, Bronson (Harmonica), Cardinale (Edda Dell’Orso) and Robards. Sergio had Ennio do the music before shooting began and they were played for the actors on the set. Just classic stuff.
Yes, the last time I watched OOA, years after the first viewing, I was awed by just how magnificient the music was, even better than the movie itself. Of course, it was Barry, John Barry.