[QUOTE=BabaBooey]
Big Lebowski and Coming to America haven’t been mentioned in this thread (nor the list) and are two of my top comedies. Kingpin might be in my top 10 as well.
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Big Lebowski had a huge following among my college friends, although it might be a cult classic more than anything else. I would definitely agree with putting Coming to America on the list, but if someone wanted to put in Trading Places instead, I wouldn’t really have any objections. Coming to America shows a lot more of the comic range of Eddie Murphy and Arsenio Hall, with their multiple characters, so you’ve got that to consider, but both movies are certainly considered more “classic” than a few on the top 10 list.
I’m quite surprised that neither This Is Spinal Tap nor ANY of the Monty Python movies made the list. I think Spinal Tap is among Christopher Guest’s best work - and he’s been involved in a lot of great films, so that’s quite a push. Monty Python may be more popular overall in the UK, but The Holy Grail is widely revered and beloved in the U.S. No excuse for that. The Blues Brothers is another head-scratching absence. I’m also a bit surprised at the absence of Ghostbusters - it was quite a funny movie that was a huge phenomenon when it came out. I’m split on whether Young Frankenstein is funnier than Blazing Saddles (I like Blazing Saddles more, but that doesn’t necessarily relate to the amount of humor), but both are classics that deserve a spot. History of the World Part 1 is funny, but a bit too manic and disjointed for my taste. I thought the Inquisition scene and Jews in Space were the best parts.
So I suppose if I made a list of the top 10 comedies, it would be something like this:
- Caddyshack
- Airplane!
- Monty Python & the Holy Grail
- This is Spinal Tap
- Blazing Saddles/Young Frankenstein
- The Blues Brothers
- Coming to America/Trading Places
- Animal House (not my favorite, but you can’t argue with its popularity)
- Ghostbusters
- Dr. Strangelove (again, not my favorite, but a landmark dark comedy that many people still love)
I’ve found a pattern to these types of lists, and especially the VH1 lists: they tend to be narrow in scope. Just as an example, the Greatest One-Hit Wonders list was overwhelmingly composed of songs from the video age (~1981-present), and many of them were from 1990 onward. There were, of course, many many one-hit wonders in the years before, and yet, few of them made the list at all. The top ten comedy list is similar in scope: the oldest film is Blazing Saddles (1974), and nominees from the 1990s and beyond (Shrek, Something About Mary, Ace Ventura, South Park, The Wedding Singer) take up half of the list. What I think tends to happen is that the pool of writers for these shows tend to nominate mostly films that they have fond memories of from within their lifetime, and the older films are mostly either relegated to lower spots or not included at all. For sake of reference, check out the AFI Top 100 comedies list…the top 10 is VERY different from the VH1/Bravo list:
http://en.wikipedia.org/wiki/AFI's_100_Years…_100_Laughs