Wow, it’s nice to see a bunch of people into B-sides!
Speaking of Elvis, a good number of his B-sides are really fine performances, even if they didn’t make any charts. “There Goes My Everything” was the A-side, but on the flip was “I Really Don’t Want To Know”, which might be my favorite Elvis record.
Steppenwolf had a single called “Ride With Me” that had a non-LP B-side, “For Madmen Only”. It’s mainly an epic guitar noise freakout, but still otherwise unreleased.
The B-side of “School’s Out” by Alice Cooper is unique to the 45. Titled “Gutter Cat,” it’s actually a skillful edit of two of the LP tracks, with an extra overdub of synthesizer lead.
On the other side of “Sylvia’s Mother” by Dr. Hook & The Medicine Show, is perhaps their greatest druggie song, “Makin’ It Natural” - in which they get to imitate John Denver at the end. Hey, it was current humor at the time!
B-side of “Crocodile Rock” by Elton John is “Elderberry Wine”, which could have been an A-side if it wasn’t about getting drunk. Also, the B-side of “Saturday Night’s Alright For Fighting” has two songs, “Jack Rabbit” and “Whenever You’re Ready (We’ll Go Steady Again” that were unavailable for years and years. Now they’re bonus tracks.
The B-side of “We’re An American Band” by Grand Funk got more jukebox play in my area than the A-side. “Creepin’” is an 8:00-plus album track, of which they could only fit about 6 1/2 minutes on the single. We liked it anyway!
B-side of “Higher Ground” by Stevie Wonder is an amazing song called “Too High”.
We used to hear all these songs before we had enough money to buy the albums. Then, eventually we could afford to do that, and discovered that lots of the B-sides were not on them. And that’s why I’m still collecting records!