Does poetry count? Idylls of the King, and also by Tennyson, the mention of Ulysses is either mistaken for the novel with a really strange look, or the thought that I am trying to describe Homer.
Darkness at Noon, by Arthur Koestler. Great Russian writing. It’s a short novel inspired by things that happened to some of the author’s friends in the Soviet Union.
I don’t meet many people that have read Don Quixote in its entirety. And I’ve read it three times.
I’ve read Frankenstein two-and-a-half times. (The 1/2 time was when it was assigned to me in an English class, and I just needed to refresh my memory about the parts I was writing an essay about.)
I’ve read Frankenstein several times over the years. I actually kind of enjoy it.
I’m probabl the only person who sought out, and read, Algernon Blackwood’s *The Education of Uncle Paul * (on the recommendation of S.T. Joshi).
Tennyson is one of my guilty pleasures. I’ve read both “Ulysses” and “The Lady of Shalott” and loved both.
Alasdair Grey’s Lanark. Crazy, crazy book - like Lewis Carroll writing his own version of A Portrait of the Artist as a Young Man while possessed by the spirit of Kafka.
Red Harvest is a touchstone for me in a lot of ways, although when I mention it, especially to people who are fans of either Kurosawa’s Version or the several homages/ripoffs of the Kurosawa version, I find that most haven’t heard of it and don’t care. Salon had an article a few months back talking about the troubled history of attempts to make Red Harvest into a film. The copyrights have been difficult to secure, so a number of people have settled on making things similar, including The Coen Brothers’ Miller’s Crossing which combines the plot of Red Harvest with that of The Glass Key, making it unique enough to avoid a lawsuit, but still fairly invocative of its sources.
I also don’t know anyone else who has read A Shropshire Lad to speak of it, although my fellow grad students are usually familiar with To An Athlete Dying Young.