Absolutely exceptional Very Short supporting roles

Judi Dench received the Oscar for her 8 minutes in Shakespeare in Love and Anthony Quinn for about that long an appearance in Lust for Life. William Hurt is currently nominated for a performance that was even shorter I understand (I haven’t seen the movie).

Sometimes, however, there are actors who are onscreen for an even shorter amount of time, maybe as cameos by famous stars or maybe actors you have never even heard of before, who just absolutely mesmerize or totally nail a character though they’re only onscreen for less than 5 minutes. These are the people who seem to prove that, at least when the script is good, there really are “no small parts”.

What are some performances that come to mind for you on this- i.e. if they gave an Academy Award for "really short supporting roles*, you’d nominate them?

I’m not sure how long Vincent Schiavelli was onscreen in Ghost but it can’t have been any longer than Dench and Quinn in their Oscar winner roles. I don’t think anybody who saw the movie would deny, however, that he was absolutely perfectly cast and gave depth to both the comedy and tragedy of that character he played. I hope he nabbed some awards for it somewhere but I find no evidence that he did.

I recently watched the movie version of Arthur Miller’s The Crucible. An actress I’ve never heard of named Ruth Maleczech was onscreen for less than 2 minutes but I swear I’d have nominated her for an Oscar. She played Goody Osborne, a character referred to but not actually seen in the play, and yet in that two minutes you know a huge part of her life story thanks to Maleczech.

She’s a pauper and clearly mentally ill, a homeless person in tiny Salem who annoys her neighbors by her begging and her clear derangement, and one of the first brought in to stand trials for witchcraft. As a person who has seen MANY psychotic episodes (not just in my family but from the four years I worked in residential facilities for the severely mentally ill) I can say with some expertise she nailed the strange logic schizophrenia. (Her character honestly thinks that “I can dance as fast backwards as I can forwards!” is a valid defense and that “I can only say me commandments outdoor!” is something so logical it needs no further elaboration.) Her body language, expressions and everything, especially when she tells the girls to “stop your funnin’, you’re bringin’ me to harm!”, conveys such incredible pathos and yet at the same time threat (Goody Osborne isn’t somebody who just needs love and understanding, she is honestly batsh!t crazy and not necessarily a good person)- just wow. I’ve actually thought of writing the woman a fan letter even the performance was almost 10 years ago and she’s essentially unknown.

There are others that come to mind that would be applicable for this thread, but I spent so long on that one I’ll open it to the floor. What are some of your favorite 1 or 2 scene very short roles that were just performed perfectly?

Good idea! I guess you could include Brando’s contribution to Superman which is probably overshadowed by how much he got paid for it.

Then there are the “character actors” whose contributions have helped movies work all the way back to the B Westerns.

A few Favorites, without pointing to specific movies they helped along:

Jack Elam
Strother Martin
L.Q. Jones
M. Emmet Walsh
Harry Dean Stanton

Jo Van Fleet assisted the power of both East of Eden and Cool Hand Luke, and that’s even kind of odd since Newman did a screen test for EOE.

Alec Baldwin in Glengarry Glen Ross. Best cameo ever.

“Fuck you. That’s my name.”

I would add Pulp Fiction, **Christopher Walken’s ** small role but amazing role.
Would **DeNiro’s ** role in Brazil be short enough?

**Marlon Brando ** in the 1978 Superman.

Jim

Billy Crystal and Carol Kane in The Princess Bride. Too much dialog to be a cameo*, but I don’t think they were onscreen more than five minutes.

James Cagney as George M. Cohan in The Seven Little Foys is much like a cameo, but he does have a dance number with Bob Hope as Eddy Foy, so it’s a bit more.

Marlene Dietrich is great in her short scenes in Touch of Evil.

Jack Albertson’s role in Miracle on 34th Street is essential to the plot.

*A cameo is an appearance of a well-known actor solely so the audiences can recognize him.

It’s been a long time since I’ve seen the movie, but I don’t really remember being blown away by Marlon Brando. In my memory, anyway, all I remember is him putting the baby in the space shuttle and pushing the launch button.

Obviously I missed something. Why was his bit in Superman so remarkable?

How long was Anthony Hopkins on screen for in “Silence of the Lambs”? It’s remarkable, on seeing the film again, how little time he actually gets, and yet he won the “big” Oscar!

mm

Linda Hunt in *“The Year of Living Dangerously”. * :smiley:

What?

I second Andy Garcia in GGR. Stunning performance.

I’ll add the cop from Withnail & I, with only one line, but one that really stands out:

“GETINTHEBACKOFTHEVAN!!!”

Stephen Tobolowsky (Ned Ryerson) in Groundhog Day.

Dennis Hopper as the Photojournalist in Apocalypse Now…

You don’t talk to the Colonel, well, you listen to him. The man’s enlarged my mind. He’s a poet-warrior in the classic sense…I’m a little man. He’s a great man. I should have been a pair of ragged claws, scuttling across floors of silent seas.

Sean Connery’s brief appearence as King Richard in Robin Hood.

John Cleese as the English sherriff in Silverado.

John Cleese & Sean Connery in Time Bandits.

As well as Patrick Stewart’s brief appearance as King Richard in that other Robin Hood movie. :slight_smile:

Peter Cook as the priest in Princess Bride.

It occurred to me that there’s another category of these roles: the ones played well by actors who had yet to become big stars.

A trivial example would be Bill Paxton as one of the punks in The Terminator who winds up giving Ahnold clothing. I suspect Paxton was happy for that role at the time.

Another would be Jeff Goldblum’s punk in Death Wish.

These could be argued against as being nothing special.

But I suggest that James Gandolfini’s contribution in True Romance may have been a factor in how he became Tony Soprano later.

It’s fun looking through IMDB for early roles by now-established people.

Rowan Atkinson as the very nervous minister in Four Weddings and a Funeral.

It’s a slightly larger part, though still “just” a supporting actor with only a few minutes on screen, but Ben Kingsley in Sexy Beast is one of the most electrifying performances I’ve ever seen. He should have got an Oscar for that.

In the “early movie” catagory, Matt Damon was the little brohter in " Mystic Pizza".

Here’s a nice article about some of last year’s short supporting roles. Some of my favorites from the article:

I haven’t seen History of Violence, but I think that Hurt is onscreen for something like 10 minutes.

And Sylvia Miles was nominated for being onscreen for around six minutes for Midnight Cowboy.