When George Lucas released Star Wars, he didn’t anticipate that it would be a huge success, let alone setting the record for the highest grossing film of all time. That it would be regarded by generations of pimply-faced teenage boys as the coolest thing in the universe, or that the marketing rights alone would make him rich enough to buy Switzerland — well he may have dreamed about it, but he sure wasn’t counting on it.
All Lucas wanted to do was to make a movie that paid affectionate tribute to the Flash Gordon/Buck Rogers serials that he had grown up watching on TV, with a little bit of Joseph Campbell and Japanese cinema thrown in to make it interesting. And he wanted to do it his way, without studio executives breathing down his neck and making their own changes. That the film met with such huge success was astounding to everyone – to Lucas, to the critics, to the studio executives who had repeatedly tried to pull the plug, and even to the cast and crew of the film.
To understand why Star Wars was such a phenomenon, it had as much to do with the time it was released as with the film itself. The mid-70s was a heavily cynical age, and the popular films of the day tended to be dark and ugly in their viewpoint. Star Wars was a breath of fresh air, with its clearly defined forces of good and evil. Pure escapism, but with a very polished look to it – most sci-fi films of the era aimed much lower as far as production design. Its reliance on universal themes (the Joseph Campbell element) also helped it to strike a chord with very different audiences. One didn’t have to be white, rich, or even American to find the appeal. Plus, not to be neglected is that fact that nobody had ever attempted or pulled off special effects like this before. It was great eye candy – a fast-moving roller coaster of a movie that delivered what audiences of the time hadn’t even known that they’d wanted.
Taken outside of its time, a lot of Star Wars’s impact is softened on modern viewers. And, indeed, the film has not aged terribly well, which is why Lucas went back and tweaked bits of it here and there – much to the annoyance of many fans. I recall seeing it in a theater (well, sort of – in an auditorium classroom) back in college, long after Empire and Jedi had been released, but before the tweaking. Several of the kids watching had never actually seen the movie before, and one or two told me afterwards (as I was the one who had dragged them there in the first place) that it was the corniest thing they’d ever seen. Truth be told, I had a hard time defending the film. They were right, after all. It was corny.
For one thing, Lucas writes terrible dialogue. Secondly, he has little patience with the acting profession, and can’t understand that actors need more than a script, blocking instructions, and fight scene choreography to put in a good performance. And third, his much-touted maverick sensibilities render him immune to critique. If he thinks it’s a good idea, it’s a good idea because dammit, it’s his universe. So when all of this is put together, you get stories that are visually amazing, but which don’t have nearly the heart and soul that they should.
Of course, measuring Star Wars against today’s standard’s of filmmaking is probably not fair. So much of what was fresh and new in 1977 is clichéd to the extreme today. Even the special effects, so revolutionary in their day, can’t begin to compete with Peter Jackson’s flawlessly rendered Middle Earth. Not to mention that single episodes of today’s network TV programs are filmed on a bigger budget.
Is Star Wars a good movie? Certainly. Should a modern filmgoer expect it to have a fraction of the impact that thrilled audiences 26 years ago? No…that’s like expecting today’s verbivores to be shocked and outraged by reading Steinbeck. But taken on its own merits, it’s an enjoyable flick.