As an aside: Marvel’s Union Jack II (Brian Falsworth) was a British gentleman who took a super-soldier serum much like Captain America’s. He became a masked hero alongside his close friend, Roger Aubrey aka Destroyer, who had obtained powers after being captured and experimented upon by Nazis. The two even traded identities a couple of times.
Just a few years ago, Brian and Roger were effectively “outed” when Roger referred to Brian as “my lo-- my friend.”
Wildstorm comics did run a short lived series by the name of “The Establishment” which featured an entirey British superteam in the mode of their titles “The Authority” and “The Monarchy”. The team consisted of characters who were basically analogues of famous TV characters with the team leader being called “Jon Drake” not unlike the secret agent immortalised as Number 6 in “The Prisoner”.
His only superpower being that he was a mouse who could talk, drive, etc. But that’s pretty impressive, for a mouse. And of course his sidekick the talking hamster Penfold.
Johnny Alpha from 2000 AD {aka Strontium Dog, although in reality he was only one of many: Strontium Dogs were mutant bounty-hunters exiled from earth} did have “paranormal” powers - a form of X-Ray vision, the ability to read minds and impose his will on others - but probably wasn’t strictly a superhero: when it came down to it, he mostly relied on bashing or shooting people. Nor was Rogue Trooper, although he was a genetically engineered super-soldier: his abilities were mostly limited to being able to breathe the poisoned air on the planet on which he fought, and being extremely good at killing people. And neither wore capes.
The “no cape” policy of 2000 AD was quite intentional: they deliberately shied away from American-styled “superheroes”, in an editorial effort to try not to be a pallid imitation of Marvel or DC: previous British comics of the late 60’s and early 70’s had often “photocopied” American superheroes {for example, publishing house D C Thompson’s The Cobra was very obviously a poor man’s Spiderman}, and transplanted them into an English setting - the results were usually obviously derivative and very jarring.
Judge Dredd, who became 2000 AD’s most successful and well-known character, was most definitely not superhuman, even though the strip was set in a post-apocalyptic America: he was just extremely tough and mean - and far from being just a futuristic Dirty Harry. The strip had a lot of political and social satire, as well as a healthy dose of black or absurd humour, and Dredd and the Judges were often shown in a negative light. I think America never quite “got” Judge Dredd, despite repeated efforts to launch him there.
But I digress. This “no caped avengers” policy changed somewhat with Grant Morrison and Steve Yeowell’s Zenith series of the late 80’s and early 90’s, and that strip was more a commentary on the whole superhero concept, similar to Watchmen: although Zenith definitely had super-powers {flight, super-strength, psychic abilities}, he wasn’t a caped crime-fighter with a secret identity; instead he was a brattish, egocentric and not particularly bright popstar, whose mask and costume were part of his stage get-up. He never fought crime, but was {extremely} reluctantly dragged in to combat the Elder Gods and their various acolytes, and he shirked his responsibilities whenever possible, being more concerned with reviving his fading music career. An excellent strip, and well worth searching out: I’m pretty sure it’s available in graphic novel format - it was deliberately kept to only four books rather than as an on-going series.
Other than that, the only one I can think of is Nemesis the Warlock, whose powers, although strong, were magical rather than “super”: he was an horned and cloven-hooved alien {who may or may not have been the devil, or at least a demon} with diabolical powers - levitation, mind-control, a mastery of black magic - who headed the alien resistance struggle against the fanatical despot Torquemada, who led mankind in a religious crusade to exterminate all aliens from the universe and thus establish racial purity. The humans were the evil villains and the aliens were the heroes - a Pat Mills script, as you may have guessed. Again an excellent strip, with some beautiful Kevin O’Neill artwork, and definitely worth reading: Books One to Four are pretty much essential, although after that it grew a little repetitive, with some dodgy artwork.
Thanks for that - I’ve never heard of the majority of that lot.
I do remember the 2000ad people though - and from memory although it was a British comic (and in places a mighty fine one) the heroes in it weren’t British per se - eg Nemesis was some kind of magician from no particular place and Judge Dredd lived in Mega City (clearly meant to be American).
So what i’m after is a superhero with superpowers who speaks like a British person and lives and works in Britain.
Mega City One was the eastern seaboard, from the border of Canada down to the tip of Florida.
Mega City Two was California, and Mega City Three was still known as Texas, and took up a good portion of that former State. The rest of the country was a Nuclear Wasteland - The Cursed Earth.
Anyway, pay attention to Case Sensitive’s reference to Zenith which had many very British superheroes, ranging from English and Welsh through to Irish and Scotland and back again. It was an extremely cool and original series.
There were a couple I vaguely recall, from the comics of my youth (mostly the Valiant, if that rings any bells with anyone.)
Louis Crandall, the “Steel Claw”, had a prosthetic hand (hence the name) with all sorts of neat gadgets built into it, plus he could turn invisible, so I think he counts.
So does Tim Kelly, who travelled through time and space in the company of a blatant “Doctor Who” ripoff, and had a magic amulet called (if memory serves) the Eye of Zoltec, which made him indestructible.
There might well be others in the same vein, but I don’t know - my mum threw out all my old comics (even though I told her I was keeping them for a special purpose). Sigh …