[QUOTE=WhyNot]
Interesting thing about that story, though - in the older versions, the woodsman gives Red a knife, and she goes out and hunts the wolf, and its mate, and makes their skins into a new cloak to replace the red one.
So why, do you think, did we discard that part of the story - the empowering part?
[/QUOTE]
In the original folktales, the girl (who doesn’t have a red hood) escapes using her own wits (she tells the wolf she has to go poop). Many of the fairytales we know today were drastically altered by Perrault and the Grimm brothers; in the original Cinderella, for instance, there are no stepsisters or stepmother, and the girl goes to the ball late on purpose so she can make a more effective entrance, the minx.
I could go on and on about this topic - it was an area of interest for me in undergrad - but what it boils down to is that female curiosity is generally linked to promiscuity and immorality in fairytales. Little Red Riding Hood is doomed from the beginning because of the color of her cloak (which was not a part of the story originally) - red is usually a color that implies sexual promiscuity in women. Perrault very much intended the story to be a warning to young girls about men, who according to him were all wolves underneath their skin. Bluebeard is another good example - the husband is a serial killer who gives his wife a key but forbids her to use it. She discovers he’s hiding the bodies of his dead wives - he discovers she’s been “unfaithful” to him - and in the end she has to be rescued by her brothers. For the longest time this fairytale has been interpreted as a tale of adultery, most notably by Bettelheim. Tsk, tsk, she shouldn’t have opened that door. She broke her husband’s trust. Um, yes, but her husband was a freakin’ psycho serial killer. What about him? Not surprisingly, older versions of this tale have the wife escaping his clutches all by herself, while newer versions have her praying at the window for her brothers to come save her. :rolleyes:
Sorry, this was a big fat hijack, but my point is that fairytales are a good example of the lessons society has been teaching girls for ages - stay at home and listen to your betters. Being adventerous usually ends badly and makes you a slut as well, apparently. In fairytales, anyway.
As an aside, I am much more independent and willing to take risks than my younger brother, traditional Korean upbringing notwithstanding. (I only have a few other girlfriends who were willing to travel by themselves in college, however.)