[QUOTE=trupa]
Are the office politics as vicious as they are reputed to be in academe?
From the books you mention, you don’t sound like someone who despises anything that was ever written by a “dead white man”. How much does the need to politically correct stifle what you would want to say in your lectures?
[/QUOTE]
The politics are astonishingly vicious. As some wise person once opined, it’s because there’s so little at stake that academic politics are as as vicious as they are.
But of course, there’s not so little at stake. There’s tenure, which is important, and being in a position to make decisions affecting people’s lives and not face the consequences, which people who have tenure are capable of doing. It’s mostly that the salaries are so low, but you do get left alone a lot and get to research what you want, if you play the politics right, so people put a lot of energy into it.
Oh, the tales I could tell…
I don’t face a lot of problems for teaching DWEMs–I just try to teach the most interesting stuff I know, and let people come to stuff I don’t know on their own, without my concerning myself about being scrupulously fair about every gender and ethnic group being represented on my syllabus. You catch some flak no matter what. This past term, for example, I taught the American Short Story, and a student asked on my informal eval why I taught only 6 women writers out of a total of 20. I had two responses: 1), she miscounted and there were actually 9 women out of 22, and 2) of the final three writers we studied (all men, all chosen by me) I had asked the class to recommend their choices for study. If she felt so strongly about the imbalance, she could have suggested three women and the final ratio would have been 12 women out of 22, but she (and everyone else) declined to nominate choices so I got to pick three writers I felt were worth studying (T.C Boyle, John Barth, and Thomas Wolfe).
But some of my colleagues see their positions as primarily political: that is, they’re usng the classroom to address issues of social justice and such, which is their right, but I think it’s more valuable to teach literature AS literature, and try to field the social and political subject when they arise (as they do) in a neutral manner and let the students make their political points however they choose. I hold my (rather strong) beliefs, but I figure if I try to avoid expressing them overtly, and even try to suppress my own political positions on occasion, there will still be some times when they creep into the discussion anyway. My colleagues tend to think that, as long as we all hold political positions, you might as well be as upfront as you can in expressing them, which is the difference between the two schools.
The funny part is that we often end up taking similar positions: I’m about as opposed to Bush’s war on Iraq as anyone can be, but if a student expresses pro-war views (where they’re relevant to a class discussion, as they could be in a class I just taught on WWII in Film and Literature) I’ll try to shut up as best I can, and hope an anti-war student voices the contrary position, whereas my more overtly political colleagues would, I think, feel comfortable expressing their own views in class.