“Synchronicity” by the Police is a good album overall, but I profoundly take exception to “Mother.” Why they ever recorded this aural dog boggles the mind.
Pink Floyd’s Meddle finishes off Side A with “Seamus”. Conceivably, possibly cute the first time you hear the dog whining and howling in doggie off-key to the blues, but who on earth would want that to come up every time they cue up the damn album?
While I’m ragging on the Floyd, Obscured by Clouds finishes up with “Absolutely Curtains”, which starts off nice but after awhile yields to an interminable bleating by what sounds like a drunken tone-deaf choir singing in Old Middle Martian.
And for the heck of it, I’ll enter what’s likely to be a totally unshared opinion: I think “Custard Pie” really sucks and gets Led Zep’s Physical Graffiti off to a bad start.
I have never understood the ongoing animus toward this song, which is just a throw-away cover like many the Beatles did (including several on that very album).
Right. Blows away Sgt. Pepper, Lucy in the Sky, Lovely Rita, Fixing a Hole, Good Morning Good Morning, Getting Better, With a Little Help from my Friends, When I’m 64. Beatles fan, are you? :dubious:
I don’t like Within you, without you. But, I think it is because that song really has not aged well. I wonder what my reaction would have been hearing it in 1967.
“Jazz Police” on the Leonard Cohen album I’m Your Man. It’s hard to believe its on the same album – nay even by the same artist – as the extemely classic and much-covered “Everybody Knows.” IMHO, “Jazz Police” stands as one of Cohen’s worst songs ever, actually. I completely cringe whenever I hear it – isn’t there a German word for that feeling of being terrible embarassed for someone else?
Hello! I came to this thread to mention Jazz Police, a truly humiliating thing to listen to. But then Cohen almost topped it with the equally embarrassing Barry White porno-funk of “Boogie Street” on “Ten New Songs.”
My other vote goes for “Some girls are bigger than others,” the final track on The Smiths’ best album, The Queen is Dead. The album is almost perfect all the way through, and should have ended on that ultimate album-ender, “There is a light that never goes out.” Instead, we get the silly-stupid grade school humor of “Some girls are bigger than others,” which does its best to torpedo everything that came before it. Abhorrent.
I was thinking yesterday about starting a thread like this. I bought R.E.M.'s Automatic for the People Tuesday and have absolutely fallen in love with it. “Star Me Kitten” made me consider the category. I don’t think it’s bad, I’m just not sure it contributes anything.
Could you possibly be serious? I think “Star me kitten” is probably the best song on that record. If you want to talk “out of place,” what about “Ignoreland,” a pounding, rollicking, raucous arena rock song in the middle of an otherwise dark, brooding, somber, funereal, predominantly acoustic record!?
It does stick out, but I like it. I think “The Sidewinder Sleeps Tonite” is about as raucous, and that’s a necessary track that keeps Automatic from turning into a dirge right off the bat. “Star Me” has a very nice feel, and you definitely need something between “Ignoreland” and “Man On the Moon.” Maybe it’s just because I can’t make hide nor hair of what Stipe is singing, but I’m just not sure it does anything except fill that spot. I still dubbed the album “perfect” after a few listens, so I’m not trashing the thing.
Believe me, it’s not my favorite Beatles song. It just always seems to emerge as a contender for the “worst Beatles song ever,” and I don’t get the hostility. To me it just sounds like an innocuous cover, in the same vein as, say, “Anna.”