Okay, look, Mondrian — He’s not new!!! He was doing some of this stuff nearly 100 years ago!!! Back when jazz was scandalous!!! You’re acting like he’s this avante-garde modernist, and I hate to break it to you, but a whole lot of art that’s far more oblique has been created in the hundred years since. The fact that Mondrian even painted makes him old school compared to what the cutting edge people are doing now.
I don’t understand why the concept of “context” is so unattainable to some of you. What is it, exactly, that made Julius Irving so extraordinary? People play basketball that way now. Well, he did things no one else did at the time. IT’S THE SAME THING. Mondrian was innovative, no one had thought of doing things his way.
You could imitate Mondrian’s style? No shit, Sherlock. That isn’t the point. I can bounce a basketball, ain’t nobody in the NBA gonna come calling. Copying others is EXACTLY what you do in art school, in order to study their work more closely and to understand the contrast with your own approach. And then you’re expected to go out and make work in your own voice. Did you know that da Vinci was left-handed? I learned that from copying his drawings, which I copied quite accurately. Does that make me da Vinci, or diminish him in any way? Fuck no.
Really one problem is that we’re not all standing together at a museum in front of a Mondrian. In critiquing art you always refer back to the work right in front of you, making gestures with your arms to explain how one area of the canvas relates to another, or how your eye was drawn through the piece, or how the negative and positive spaces create balance (or tension). Discussing his work in this format is rather like trying to discuss a restaurant having seen only the menu.
Look, have you ever really studied any advertising? Have you noticed that advertisers are quite cagey about the images they use and their placement? Have you realized that your eye is drawn one direction and then another, and that the use of some colors and forms creates a subtle emotional response? Haven’t you noticed that some colors and designs are commonly used to promote certain products - like the use of green, as if that made a product more eco-friendly? Well, advertisers learned this from fine artists; a lot of educated fine artists end up going into advertising to make a living. Fine artists are trained to be extremely sensitive to all visual elements. It’s real, it’s not bullshit.
This world of visual communicating exists, and it’s part of everyone’s life. To learn to appreciate fine art is to learn to be aware of your visual response and to the artist’s communication. Or you can close your mind and shut your eyes, but that’s a rather stupid thing to do. Would you move to a foreign country and refuse to learn the language?