I have finally decided to admit to my terrible secret - I LOVE concept albums! Love them, love them, love them. Almost three-quarters of my top desert island discs are concept albums.
For the purposes of this thread, we will use the (open-ended) Wikipedia definition of a concept album: In popular music, a concept album is an album that is “unified by a theme, which can be instrumental, compositional, narrative, or lyrical.”
So, let’s nominate our favorites!
To help get you started, here’s Wikipedia’s list of concept albums. This list is long, but hardly exhaustive or entirely accurate. For example, the following albums are NOT on it, even though they are pretty clearly concept albums: A Love Supreme by John Coltrane The Planets by Holst
*Romantic Warrior *by Return To Forever Watercolors by Pat Metheny Speakerboxx/The Love Below by Outkast
while Load by Metallica IS on the list, for reasons that completely escape me. So if you want to nominate something that’s not listed, particularly if it’s not in the rock genre (like all of the above that were left off), ignore Wikipedia and put it up.
I’ll nominate a couple to start:
Operation:Mindcrime by Queensryche - Tells the story of a hitman/assassin who is manipulated by the mysterious Dr. X. As with most of these, it plays better than it reads.
Misplaced Childhood by Marillion - basically an autobiography of the lead singer.
I left out several of my other favorites, since they will likely be nominated by others (but I’ll drop in to put them up if I am wrong about that).
My personal favorite is The Lamb Lies Down On Broadway by Genesis.
(This is cheating a bit, but I love the concept “B-side” of Kate Bush’s Hounds of Love album called The Ninth Wave, which is about a woman lost at sea, and most of the concept 2nd disc of her Aerial album, called A Sky of Honey, which is a celebration of a day from early morning to late evening.)
I don’t know about best, but Local H usually does albums that are “concepty” without being too orthodox in being explicitly a big concept. Cursive, too. David Bowie, occasionally.
If we’re going to nominate concept albums, I’ll have to go with one of the first: Freak Out!, by the Mothers of Invention.
I think the problem with 2112 and Hemispheres (both of which I love) is that, while they each have concept suites, the whole albums aren’t thematically concepts.
Blows Against The Empire, Jefferson Airplane. A very sixties concept about ecologically minded hippies who hijack a spaceship and set up their own interstellar commune(!). A mix of blistering rockers (with some great rhythmic piano by Grace Slick) and atmospheric ballads.
Two immediately come to mind that I mentioned in another recent thread. Phases and Stages–songs about a relationship that ended, from his side & from hers. (Historical note: LP’s had two sides.) And Red Headed Stranger–a tale of the old West, using original & traditional songs. (With such spare production values the record company thought it was a demo. It went platinum.)
I really like from that list:
Strange Little Girls by Tori Amos
This is War by 30 Seconds to Mars
The Crane Wife by The Decemberists
NATO and Volk by Laibach (the latter with Silence)
Thick as a Brick by Jethro Tull
Trans-Europe Express and Autobahn by Kraftwerk
Doubt by Jesus Jones
The Downward Spiral by NIN
VIVIsectVI by Skinny Puppy
Mellon Collie and the Infinite Sadness by Smashing Pumpkins