It’s a good thing you’re not limiting it to rock, because, to my mind, most rock drum solos are more exhibitions of athleticism than musical solos.
Really good jazz drum solos are a different matter. I can’t think of a recorded example, but I heard a great one the other night. Jazz trio in a place near where I work. I stopped off for a drink on the way home. Drums, guitar, bass. They’re all really, really good. They play pretty straight-ahead jazz, improvising over standards (although they seem to define “standard” pretty widely). The melody is stated, improvised on a bit, and then they’re off to the races, improvising over the changes, using the harmonic structure of the tune as a foundation for their improvisation.
The drummer took a short solo, maybe just twelve or sixteen bars, the other night, and it was perfect. It was an obvious response to the guitarist’s solo. Within the structure of the tune, he complemented and expanded on what the guitarist had done, with perfect time and phrasing. And the thing is, and this is the difference between rock drum soloing and jazz soloing, the solo had everything to do with the tune. It couldn’t have been played during any other tune. A far cry from the typical arena rock solo, where the other musicians might as well (and often do) just leave the stage while the drummer pounds maniacally on everything in sight.
Gene Krupa behind the Benny Goodman orchestra at Carnegie Hall, January 16, 1938. Sing, Sing, Sing.
ETA: I once read that since rock drummers are more likely to have a van to carry their kit around, they are likely to be the transportation for the band to whatever gig is going on. The right to do a drum solo is essentially cab fare.
No contest: Joe Morello on Castillian Drums. The man knew more about drumming, and what makes a true genius on the skins than anyone to yet come along.
I don’t know enough to claim it’s the best ever, but Buddy Rich’s is the best one in this thread.
This one seems better integrated with the other musicians and style of the music they were playing, and more subtle.
It’s probably my own prejudice that I prefer Rich’s. My ideal of a drum solo is pounding away at incredible rhythms at impossible speeds, and Rich fits that mold better. But based on these two pieces, I think Morello might be a better artist/musician.
DAMN IT OPAL!
I just found this thread at 1:00 am. I was gonna check in real quick and hit the sack and now I’m gonna be up at least another hour. Great idea for a thread.
On a related topic - is the drum solo dead or is anyone doing them anymore? I haven’t heard anything released reccently.