There is Carole King then there are all the others.It isn’t even close.
Perhaps that is a little severe Joni Mitchell springs to mind.
Here are some other notables but not really in the same league
**Joan Baez ** Nina Simone Bonnie Raitt Stevie Nicks Janice Ian Natalie Marchant has done well but needs to keep going a few years .
Chrissie Hynde (of the Pretenders) hands down,
personally speaking.
I saw a few of their shows (before the orginal
members began to die prematurely) and she was
stunning, IMHO
I suspect I’m going to be lambasted for this, but I like Courtney Love, and Janis Joplin. But as far as the female voice goes, I don’t think anyone can hold a candle to Ella Fitzgerald.
Sheryl Crow and Bonnie Raitt are two of my favorites.
Maybe I’m too young to appreciate her, but I cannot STAND Carole King. She’s fine as a songwriter, but her voice has the same effect as fingernails on a chalkboard. I’m sure that’s blasphemy to many of you, but I can’t help it.
I also despise Joni Mitchell’s voice. Blame my mother - she couldn’t stand that kind of music. I grew up listening to Motown and disco.
I second Tori Amos (and I’d be interested to hear your second choice sing.) And: Audra McDonald. The great and wonderful Audra. Three Tonys before she’s 30.
Sharp, witty songs without a trace of self-pity, from a woman who knows exactly what she’s about and doesn’t intend putting up with any crap, but isn’t (usually) hostile or defensive in the least. Her voice and delivery are amazing without (usually) turning cartwheels to get attention. Probably the one thing she’s done (as a vocalist) that people are most familiar with is her duet with Shane MacGowan on the Pogues’ “Fairytale of New York”. Those who remember Tracy Ullman’s “They Don’t Know” may not realize that Kirsty wrote and produced it (along with producing the rest of Ullman’s You Broke My Heart in 17 Places and writing the title track). Kirsty’s versions of each of these are better than Ullman’s.
In later years, she’s collaborated with a variety of co-writers, including the Smiths’ Johnny Marr, Pete Glenister and Jem Finer of the Pogues, on a number of songs, but has almost uniformly produced high quality work. Even the occasional cover she’s done has been interesting: Ray Davies’ “Days”, Billy Bragg’s “A New England”, Cole Porter’s “Miss Otis Regrets” (with the Pogues), Kate and Anna McGarrigle’s “Complainte pour Ste Catherine”, etc.
I’m always amazed that she’s not better known and appreciated. It’s not as if there’s anything at all inaccessible about her work.
Patti Smith - her lyrics are a bit dramatic for me, but she has an outstanding voice and she is one of the best performers (male or female) I’ve ever seen, (and I see music a lot).
Patti Andress (of Tuck and Patti)has a terrific voice, although I must admit I like her covers of Beatles and Stevie Wonder tunes more than her original stuff. Well, except for “High-heel Blues,” which is greatness itself.
Plus another vote for Joni Mitchell and Bonnie Raitt!
Carole King is truly amazing. She’s in the generation before me, so I don’t think I have a solid appreciation of just how great she is/was…but from what I’ve seen and heard, holy Moses!
From the most recent crop, I must say I’m growing more and more impressed with Sheryl Crow. I have three of her albums, and each time I listen to any of them I gain new appreciation for her lyrical and musical skill. I do believe she will be one from this generation that manages to live on as her talent allows, as Bonnie Raitt and King have done.
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Tori Amos? Isn’t she the redhead that humps her piano and nearly reaches orgasm every time she performs? (Just teasing…I saw an SNL skit where someone impersonating her did just that–it was damn funny!)
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Stevie Nicks from 1973 through 1983 inclusive.
Chrissie Hynde (Pretenders)
Christine McVie 1968 through 1986 inclusive
Bonnie Raitt
Joni Mitchell until about 1980
Tracy Chapman
Singers Only:
Pat Benetar
Debbie Harry
Madonna
Sade
Karen Ramirez
Just for the record, IMHO, if you compare Carole King’s version of “It’s Too Late” to anyone else’s (Gloria Estefan, Amy Grant, et al.), technically, her voice isn’t as refined…but the emotion she invests…whew! …baby, that…is…ART.
Otherwise:
Karla Bonoff
Cilette Swann
Chrissie Hynde