Long overdue bumpdate here.
I purchased a new TV stand, and decided it was time to get rid of the old TV stand / stereo cabinet (the new stand is in the entryway, still in its case; we’ll need to assemble it).
I inventoried all our music, including pre-recorded cassettes, cassettes we recorded off of the LPs (prior to a trip 34 years back, when a car with a cassette player was a Really Cool Thing, and we knew we’d be in areas with no radio reception), and all the albums.
I looked around online, and discogs.com showed stunningly low prices for many of them - like the highest i saw was maybe 80 cents. Truly NOT worth the trouble of selling that way. I looked up a localish (about 12 miles away) shop that would review what you had, so we dropped a very heavy crate of them off Thursday. I had looked at their website and saw them mentioning things that they did NOT want - some specifics included pop such as Barbra Streisand and Neil Diamond, showtunes, etc. Well, we had some of that, but I didn’t feel like digging through the bin and pulling them out, so I warned them that there was some of that in the mix.
He wound up taking a bit over half of our collection, which was a nice surprise. 70 albums, and he paid us 100 bucks.
He told us he didn’t take many comedy albums but did see one or two he wanted. When I compared what was still in the bin, to what we’d sent, he took a Mel Brooks / Carl Reiner album (2000 and Thirteen), Robin Williams’ Reality, What a Concept, both Steve Martin albums, and one Tom Lehrer (annoyingly, we had an old copy of An Evening Wasted as well as an unopened one, and he opened that one - why??? if he knew he didn’t want it??? unless my notes saying “unopened” were wrong which is quite possible). Most of the soundtrack / show albums came back home but Star Wars did not. Pretty much all the classical stuff came home. He did take the one 45 we owned - not sure WHY we bought a 45 of the Paul Simon Boy In The Bubble remix, and they normally don’t purchase 45s, but he wanted it.
I was surprised at some of the popular stuff he kept - pretty much all of it, really. I guess aside from that one Neil Diamond, most of it was more desirable. Neil came home, as did The Best of Bread, a Christopher Cross, a Fogelberg, Chuck Mangione, and one Rick Wakeman (he took all the others). Pretty much the epitome of fluff, all of them (except perhaps the Wakeman, which I’ve never listened to, so I can’t blame him).
PDQ Bach, suffering from the dual stigma of being both comedy AND classical, was also passed over.
Our next steps are: look over the list again, see if there’s anything we might want to replicate in CD or electronic format but cannot, and beg friends / neighbors to see who might own a USB turntable and would be willing to record it for us. Those albums would go into the basement with the crate of CDs (all long-since burned to iTunes). The rest will go to the local Goodwill store… except maybe the Bill Cosby albums which we will perhaps trample in a useless demonstration of our disapproval of the performer.