Ford and Gosling are both fantastic in this. I didn’t have much of an opinion on Gosling one way or the other before this, but he’s amazing in this. The role requires a very flat affect, which he nails, while still silently communicating a tremendous humanity. He invests you completely in a character that, at least initially, doesn’t even view himself as a person. It’s a hell of a trick.
As for Ford; the scene towards the end, in Wallace’s office, when he meets the “new” Rachel, is some of the best acting he’s done in years. Maybe ever. The heartbreak in his face, as it moves in and out of shadow, with the water reflections on the wall behind him - I was transfixed.
The plot overall was smart and sophisticated, and grew organically from the original movie without retreading the same ground. I was constantly second guessing things that happened, only to have the story completely justify it a few minutes later. When K finally goes to meet Deckard, I was thinking, “Okay, this is visually striking, but they’ve gone too far. What American city is going to have a bunch of giant hooker statues standing around?” And then he walks into a casino with a holo-Elvis, and I’m all, “Oh, yeah, Las Vegas. That makes total sense.”
At over two and a half hours, there’s a lot of movie here. Despite its length, there’s so many little scenes that in another film would have been cut to trim the length down. The bit towards the end, when K is propositioned by the giant naked hologram, doesn’t advance the plot at all, and could easily have been cut out to shave five minutes off the run time. But it’s an important emotional beat, and beyond that, such an amazing visual, and the film’s filled with little moments like this.
Lastly, if you were on the “Deckard is human” side of the Big Question from the original film, I think you’ll be pleased. The film deliberately avoids directly answering the question, but the explanation - that both Deckard and Rachel were made to be fertile replicants, and programmed to fall in love with each other as soon as they met - is too pointlessly convoluted. If Tyrell built both these replicants, and wanted them to reproduce, why hide one in a police department, in a highly dangerous job? Just decant them, lock them in a room together, and wait for them to start making repli-babies. I think Deckard pretty much has to be human for the plot in this one to work.