Sorry, I don’t know any of the artists who have been mentioned so far, but I happened to see a group in concert called Hot Rize, and I thought they were great.
See, the thing about RS and me is that I know him from being in JD Crowe and the New South. And of course with Skaggs and Rice. Skaggs alone for the longest time was a country artist, and I forgot about him and Kentucky Thunder.
Ah, well.
Who knew? Growing up in Arlington, Va., I heard my first bluegrass in/about 1960. I tuned in stations from Warrenton, Va., just West of DC. I probably still have reel-to-reel tapes of stuff you wouldn’t believe. Old-time Country and some Bluegrass.
As to the “smarmy” singing style of SS. I like to think that they brought Bluegrass music into the modern age. To do that, you had to polish the act. You couldn’t give the hip audience in the Washington DC area Bill Monroe or the Stanleys. Flat and Scruggs had made it to Canegie Hall, but the mainstream listeners need something that was a bit smoother than the haunting sound of Carter Stanley(I get goosebumps listening to many of his vocals). And the Seldom Scene was it. They polished it, did it as professionally as anyone could, and made bluegrass popular in the 1980s. It certainly died a death in the 1990s 'til now, at least amongst the general population.
In any Bluegrass list I made, I’d be sure to put Mr Bill Monroe in First Place!
Going back to His Disciples, how about the Charles River Valley Boys? Cambridge Folkies from the Old Days, their Beatle Country is one of my fave LP’s–now available on CD.
Through Rhapsody.com, I’ve become fond of the Dry Branch Fire Squad–a touch of Old Timey along with straight Bluegrass. And a funny frontman.
The Dillards were fine Bluegrassers but their Wheatstraw Suite was pioneering country rock. Then there was Dillard & Clark–with strong Bluegrass roots, no matter how far out the lyrics got; soulful singing, too.
I love *The Mountain *(already mentioned), Steve Earle backed by the Del McCoury Band. Partly because I like the way Earle’s rough voice goes against the grain of the smooth Bluegrass. Damn–I find some modern Bluegrass just too smooth. That is, musicians trying to play as fast as possible but lacking the soulfulness of the pioneers. (The Stanley Brothers were very soulful & Ralph’s modern projects are worthwhile.)
Check out David Grisman for examples of where you can go beyond Bluegrass. Straight Bluegrass, Newgrass, World Music, etc. Lots of songs available. Find some of his work with Stéphane Grappelli–Gypsy Jazz is very close to my heart.
Or go back to the Old Time String Band music that came before Bluegrass. The New Lost City Ramblers. The Red Clay Ramblers. Even the Holy Modal Rounders…
Ah yes, the Dry Branch Fire Squad. And of course, Olin Gardner. Now, nobody knows who Olin Gardner is, right? I didn’t know what I wanted for Christmas, but my granddad had a banjo he built, and he used to play it clawhammer style. And he had this book, with musical notation, which I had never seen before. It was so mystical and strange. And I said, yes, get me a banjo! To make a long story short, I ended up taking lessons from Olin, and I had never seen someone play an instrument up close, and I was mesmerized.
Okay, this is going to be a banjo post. I used to lie on my bed and strum it, and hit that fifth string, and it would ring out so clear and pure.
But I ramble. Anyone who has ever taken a banjo in hand knows what I am talking about. As for me, I’m gonna go and get my granddad’s five out, and strum it a while.
Chatham County Line King Wilkie (though I understand this configuration is no longer together, and part of the group is now touring as the Wilkie Family Singers, with much less of a bluegrass orientation)