Didn’t see a thread yet, so here it is.
Captain Phillips recounts the events of an attempted pirate attack on the container ship Maersk Alabama, off Somalia in April 2009. Tom Hanks plays the vessel’s master, Richard Phillips, while an extraordinary group of non-professionals, selected from an open casting call and led by Barkhad Abdi, make up the Somali pirates. The film is directed by Paul Greengrass, from a screenplay by Billy Ray.
The story loosely follows actual events: the pirates manage to break through the ship’s rudimentary defenses and take over the bridge, but with most of the crew barricaded below decks, are unable to control the vessel. They then elect to depart in the container ship’s lifeboat, keeping Captain Phillips as a hostage. At that point several US Navy ships show up and desperate negotiations ensue as the pirates become more and more twitchy over their increasingly hopeless position.
First things first: even though I already knew the general details of the story and its outcome going in, this is one of the most tension-filled films I’ve ever experienced. The intensity ratchets up pretty much the moment the pirates’ skiff appears on the horizon and doesn’t let up until just before the credits. I was actually shaking and in tears by the time Hanks’ character is rescued, and I almost never have that kind of visceral reaction to a film. I’m thus very curious as to how others who have seen it may have reacted.
Next, there are at least two Oscar-worthy performances here: Hanks as Phillips and Abdi as Muse, the painfully gaunt and out-of-his-depth leader of the pirate band. Hanks gets the details right, without flash: a spot-on rendition of Phillips’ slightly odd New England accent; the close eye he keeps on his crew and the vessel; and if he seems a bit emotionless early on, in a riveting five-minute scene in a Navy sick bay following his rescue, he seems just the sort of complete mess any civilian might be after the traumatizing events of the previous several days. Meanwhile, Abdi (and the other Somalis) provide impressive depth to their roles, portraying real, engaging and sometimes humorous personalities, without going into clichéd extremes of the sinister, or of bogus sentimentality. You can see Muse trying to think his way out of the corner he and his band have painted themselves into, and you almost want to root for him. Almost.
The film greatly benefits from being filmed at sea (off Malta), aboard a sister ship of the real Alabama; you can practically smell the salt air, grease and rust. Less successful are pretty much all the scenes involving the Navy attempts at rescue; almost every military character comes off as a personality-free robot spouting not-entirely-authentic-sounding jargon. Lastly, while the outlines of the incident are followed fairly closely, there are clearly a few liberties taken with the timeline and facts (whether the vessel could have taken a different, more expensive route avoiding the Somali coast is somewhat glossed over), and I gather there is a bit more shooting portrayed in the film than actually occurred.
Anyway, I liked it a lot and despite the relatively minor flaws mentioned above, it’s one of the best films I’ve seen this year.