I’ve just watched Casablanca on TCM. What’s-his-name – Robert Osborne – said that Joy Page, who died last year, was the last surviving member of the cast. But I’d looked up Madeleine LeBeau (‘Yvonne’) earlier, and Wiki says she’s still alive.
I’m assuming that by “last surviving member of the cast” he meant “last surviving member of the important part of the cast” (that is, Rick, Ilsa, Louis, Victor, Strasser, Ferrari, Ugarte, Karl, Sam).
Yeah I love that shot. I just realized from Wiki that she was married to Marcel Dalio (who played the croupier in Casablanca) and the two fled Paris before the Germans came.
Making Casablanca and the Marseillaise scene in particular must have been a special experience though apparently Dalio filed for divorce while she was shooting her scenes.
As I understand it, Casablanca received lukewarm reviews and mediocre performance.
What, in y’all’s opinion, makes this a classic?
For me:
Vibrant characters, often snappy dialogue, good vs. evil, intrigue, the death (and rebirth) of idealism, redemption, forgiveness, true love…yep, that’s all I got.
The dialogue is what makes this film a classic for me. I’d listen to it like a book on tape. In fact, it is my understanding that there is at least one radio station that airs it regularly and has for decades.
Are my eyes really brown?
I came for the waters
…I was misinformed
Yeah, I’ve heard a lot of stories, they all went along with the sound of a tinny piano being played downstairs.
Is it just me, of does it seem like Paul Henried doesn’t really know the words to Le Marseillaise, there’s only one shot where it’s even mouthed convincingly.
I just saw it for the first time. Based on description alone, it sounds like something that wouldn’t appeal to me. Despite that, I found it immediately compelling in a way few films have been. Everything in that movie is perfect. The look, the sound, the direction.
> As I understand it, Casablanca received lukewarm reviews and mediocre
> performance.
No. That’s simply wrong:
It was fairly successful at the box office, if not a blockbuster. It got generally good reviews, if not great ones. It won the Best Picture Oscar. During its production, it was considered an A-picture (i.e., not a cheap one just tossed off by the studio). Nobody involved with making it thought that it would be a classic, but then when does anyone ever correctly predict what will and what won’t be a classic? It took perhaps a decade and a half before it became a cult film, but again that’s not so uncommon.