I prefer the Keira Knightley version to the Jennifer Ehle one, but then, I’ve long been a bit smitten with Knightley. That version has better cinematography IMHO and an Oscar-nominated soundtrack, too.
In our time, too, really. Our Jane was quite the subversive when it came to class privilege.
To judge people on their personal qualities rather than on the accident of their birth was–then as now–rather revolutionary. That enough people were able to enjoy this aspect of Austen’s writing to make her books popular, is one of the more interesting of the many interesting things about the phenomenon of her success.
I just read Edmund S. Morgan’s The Genius of George Washington, which includes an excerpt from a 1775 letter from Gen. Washington, advising a newly-appointed colonel in the Continental Army: “Be easy and condescending in your deportment to your officers, but not too familiar, lest you subject yourself to a want of that respect, which is necessary to support a proper command.”
And the use of “condescending” in the sense of “admirable kindness to one’s inferiors” seems a bit more acceptable, to modern ears, in a military context than in a social one. Hierarchy as an organizing principle for the Army makes perfect sense–whereas hierarchy as an organizing principle for a society depends on the accident of birth. We moderns tend to see that as being inherently lacking in fairness.
I’ve been watching Band of Brothers lately and there’s a character, Lt Buck Compton, and it’s implied that he has a problem because he’s too familiar with the enlisted men in his command. While he’s popular, this familiarity makes it difficult for him to lead them in combat.
Occasionally I get a bit wistful for earlier. less sex-obsessed times, when one’s vocabulary could be a bit more expansive: when “ejaculate” could be used as a synonym for “exclaim”, and an “erection” could mean a tall, impressive building, without people automatically sniggering / nudging / winking / collapsing with mirth.