L&O: Criminal Intent is pretty low on the guns & knuckles scale.
Concur that Barney Miller is probably the all-time winner. I remember a scene where Fish was being taken to the hospital and somehow convinced the ambulance crew to let him go.
I remember an episode where Friday shot a guy trying to break into a coin machine at a laundromat. The guy fired, Joe fired back, and got in hot water when the shooting team couldn’t immediately find the bullet the bad guy supposedly fired (they eventually did).
It wasn’t every episode, but they did have use their guns in the line of duty. One early episode has Reed shoot a man, then have the investigating team interview him afterward. Malloy cautions him, “Don’t let 'em rattle you. This is routine.”
Not onscreen, but there is a first-season episode where Chano (Gregory Sierra) is forced to shoot a young man in self-defense. The episode mainly focuses on his (non)reaction until he’s alone in his apartment (this was early Barney Miller that actually moved off the squadroom set) and he breaks down in tears.
I think the all-time champion is Columbo. As stated upthread, he never seemed to even carry a gun, and on at least one occasion bluffed the suspect/murderer who seemed about to shoot him by saying the (nonexistent) patrolman backing him up outside would just arrest or shoot her. Classy.
That’s got to be the winner. Columbo hated guns and only fired one once in the entire series, as far as I remeber – and that was into a box of sand as an experiment to see what the sound effect would be.
Likewise Midsomer Murders, 10+ seasons and I don’t recall a shot fired by the guys at the CID. They don’t even carry weapons. Barnaby does wait unitl every suspect is murdered before he makes an arrest though, so there is still plenty of violence.
The British series Dixon of Dock Green was another non-violent police series. It ran for twenty-one years (1955-1976) and I believe only one person was ever killed in the series.
I remember that episode! Reed calls his wife to tell her why he was going to be late, and tells her, “I killed a man tonight”, breaking up as he did so.
There was an episode where a gun-toting Andy confronted a would-be bank robber who had been pretending to be a director making a movie, trying to find weaknesses by asking all kinds of questions about how small town officers worked. His reaction to getting caught was “I thought you never carried a gun.”
Andy’s reply was that he didn’t say he never carried a gun, just that he usually didn’t. He certainly wasn’t dumb enough to go after a bank robber unarmed.
Nearly every time they were going after a real criminal he would grab a sidearm or a rifle from the armory before leaving the courthouse. He also occasionally gave Barney a handful of bullets and told him to load up.
The bullet pushed the shelf up and went into the wall behind it. Joe noticed the line on the bottom of the shelf. That’s one of those odd things that’s always stuck with me.
Not at all fictitious, although since the show started there have been some changes and the name is now just BI. Though the job they do on the show bears as much resemblance to what the [C]BI does as about any other show of its type.
Los misterios de Laura; they do have guns (being cops and whatnot), but in most episodes the only violence being commited is what led to having a corpse in the first place. Los hombres de Paco (named after los hombres de Harrelson, SWAT in the original) had the occasional shot. Laura is currently running in RTVE (Spanish public television), Paco’s was Antena 3 (a private chain, also Spanish).
Laura is a fortyish separated woman with kids, an ex who’s more infantile than the kids, a widowed mother who’s always in search of new husbands for both of them, and a family which does things such as murder each other in the middle of a wedding. Oh, she also happens to be a homicide inspector.
Paco was the comisario (captain) of a precinct in one of those parts of Madrid which can have super-posh flats with 6 bedrooms and 4m ceilings in one block, half-run-down tiny ancient poor folk’s apartments just across the street.
early cop shows might have had this, it may have been a carry over from radio where you had to always have meaningful sound (long chases didn’t work well). though movies from the same period as radio did the same as i recall.