Did Success Kill George Axelrod? (1922-2003)

LOS ANGELES (AP) - Playwright George Axelrod, who anticipated the sexual revolution with “The Seven Year Itch” and “Will Success Spoil Rock Hunter” and later wrote screenplays for such films as “Breakfast at Tiffany’s” and “The Manchurian Candidate,” died Saturday. He was 81. Axelrod died in his sleep of heart failure, said his daughter, Nina Axelrod. “He ended his life very peacefully in his home overlooking Los Angeles,” she said. “He was very happy.”

A radio and television writer, Axelrod hit the jackpot in 1952 with “The Seven Year Itch.” It was a laugh-filled play about a man whose wife and children had gone to the country, and who pursues the luscious young beauty who lives above his apartment. The play lasted almost three years on Broadway and was filmed by 20th Century Fox as a vehicle for Marilyn Monroe, with Tom Ewell repeating his role in the play. The movie was a box-office hit, aided by the classic photo of Monroe’s skirt being blown into the air. His next play, “Will Success Spoil Rock Hunter?” a satire on Hollywood, lasted more than a year on Broadway and was also filmed by Fox, with Tony Randall and Jayne Mansfield as stars. He wrote another script for Monroe, “Bus Stop,” based on William Inge’s play. His next assignment, “Breakfast at Tiffany’s,” was marked by acrimony with director Blake Edwards.

He was born June 9, 1922, in New York City and started working early; becoming an omnivorous reader “to make up for my lack of formal education.” He also haunted Broadway theaters. After three wartime years in the Army Signal Corps, he returned to New York and wrote scripts for radio, then television. He calculated that he had written more than 400 broadcasts.

“The Manchurian Candidate,” in 1962, based on Richard Condon’s novel about wartime brainwashing and subversive politics, may have been Axelrod’s best achievement. He declared in 1995 that the script “broke every rule. It’s got dream sequences, flashbacks, narration out of nowhere … Everything in the world you’re told not to do.” Another of Axelrod’s plays, “Goodbye, Charlie,” became a movie starring Debbie Reynolds and Tony Curtis. His other films as writer include “Phffft,” “Paris When It Sizzles,” “How to Murder Your Wife,” “Lord Love a Duck” (also directed), “The Secret Life of an American Wife” (also directed). He also wrote three novels.

Well, it sure took success a long time to knock him off.

I’ve loved nearly all of his stuff. (And would probably love all of it, except that there are a couple I haven’t seen.)

A complete list of all his works is available on this page.

He seems to have started in radio at 18 before the war intervened. Makes you wonder what he could have come up with in the decade before he got himself established again.

Probably not much more than he did. He was a prolific writer and had the theater connections, having been an actor and stage manager. Success is fickle. Maybe if Marilyn had been born earlier…

I can’t agree with you, samclem. If there hadn’t been a war, Axelrod would certainly have been a successful, in demand radio writer. In those days you could rack up a mess of credits quickly. He might have gone on to screenplays or stage plays much earlier.

Admittedly, it could have gone the other way, in which he would have become trapped or typecast as a radio comedy writer and not been taken seriously if he wanted to break out. Or become burned out and bitter.

Not to be catty, but if you just listed his credits from 1963 on, would anybody even recognize his name today? He seemed to have only had one good decade of creativity in him.

But we’ll never know.

One more person I can’t interview, now, if I ever write a book about Jaynie . . .

You really should have titled this thread “The Late George Axelrod”! :smiley: