Dopers - relate your rock festival (other than Woodstock) memories.

Next weekend marks the 40th anniversary of the legendary first Woodstock festival. And if you remember it fondly, in fact if you remember it all, then you weren’t really there…as the old joke goes.

Anyway, I’ve seen a lot of footage from, and read numerous reminiscences from festival-goers. But what about other rock festivals? From what I understand, there were quite a lot of them in the late 60s / early 70s (in fact this thread got me thinking about the topic.) So I wondered, did any dopers attend any of these semi-mythical events called rock festivals? Tell us about them. Where were they? Who played at them? What was the experience like? Were they usually massive free-for-alls, or were the more run-of-the-mill ones (those that weren’t immortalized in pop culture history) more orderly? Just curious.

There are still a lot of rock festivals these days. Bonnaroo, Lollapalooza, All Points West, Austin City Limits Music Festival, Burning Man. In the 90s when I lived in Boston they also had the H.O.R.D.E. festival and the WBCN River Rave.

Not to nitpick, but the Burning Man festival is not a music festival in any meaningful way—Performance art (in all its variables) yes, but music is virtually not represented at all…

Summerfest! You need to keep in mind how borrrrring it was to grow up in Milwaukee in the 60’s. I mean, if you weren’t in a bowling league… And even this “City Festival” was envisioned as more of a PolkaFest (originally planned as “YuliFest” with German marching bands). But somehow, in between performers like The New Colony Six (4 shows at the first 'fest) and Up With People, they started booking acts like Chicago and Sly & The Family Stone, and eventually it morphed into a Real Live Rock Festival.

Anyhow, my friends and I spent most of every Summerfest getting sunburned and stoned. And sitting on blankets (no seats, no “ampitheatre”, just a muddy field). We saw most of the bands who played Summerfest til the mid-eighties. No time to list them all now – I mean, they’d start playing at noon, and just keep tossing new bands on stage (sometimes before the previous one was done, so you’d have Leslie West jamming with John Sebastian while Poco was setting up), and the bands kept going 'til the wee hours.

In fact, it was that very day that the clouds opened up, cooling us off and utterly soaking the fried chicken (that the wasted cellist from the Milwaukee Symphony, who looked like Robin Hood, was sharing with us) and we all linked arms and did an out-of-sync kickline while John Sebastian kept singing (“What a day for a daydreamin’ boy…”) and playing his 8-string acoustic guitar/bass with a towel, wiping off as he strummed. And then he stopped and yelled “Maaaan, I thought only in England would people stand out in the rain for good music… but you guys are crazy!”

Note: The tradition continues. Now I take my kids* to Summerfest, and a couple of years ago Michael Kang, Keller Williams and Bob Weir ended up jamming together. Cite, you say?

  • I pile the minivan full of teenagers, and we wander past the different rock, folk and jazz stages (one night we listened to Spoon, Mat Kearney, Lupe Fiasco, Brett Dennan and The Roots just by walking around) and their friends can’t believe all the cool free music.

And, during another rainstorm, our experience got written about: Bummerfest.

I had no idea. So it’s just a bunch of weirdo hippies burning shit?
My GF and I just went to the All Points West festival in New Jersey about a week ago. It was pretty awesome. Would have been more awesome if it didn’t rain all day Friday and the Beastie Boys didn’t have to cancel.

It seems like (possibly since the disasterous Woodstock 99 festival) that these festivals are a lot stricter with alchohol. I remember back in the day when we would go to HORDE, etc, you could tailgate in the parking lot and then drink pretty much anywhere. APW only let you drink in certain designated zones and you were limited to only 7 drinks.

A godawful number of fests that I have attended.

HFStival…these are going to blend together.

Jewel emoting for a song with just get guitar and getting banged in the boob by a frisbee.

Dickie Barrett of The Mighty Mighty Bosstones shouting from the stage 'All you girls showing your tits for the cameras. Stop that! Respect yourself more!"

Beck shouting out ‘Where’s my cane! Where’s my cane!’ when he’d hooked it on the mike stand.

Everclear doing ‘Santa Monica’ with no vocals and the crowd carrying the ball.

Henry Rollins threatening to murder one of our local DJs.

The bolt of lightning that took out that one girl. Man, that was loud.

Local H telliing the crowd, “We’re the token grunge band. You guys probably hate us.”

Scott Weiland tellng the crowd, “Here’s one we just wrote on the bus on the way over” and playing ‘Vasoline’ is, I think, 1999.

My college roommate’s band, Velocity Girl playing in 1993.

Getting hit by a golf cart ferrying around Monique from Save Ferris. She was very helpful about it.

HORDE Tour

Being bored out of my gourd by another damn Blues Traveller extended jam. Not every song is an excuse, gentlemen!

Meeting Ed Robertson from Bakenaked Ladies backstage.

Seeing Cowboy Mouth for the first time. Holy crap!

Lilith Fair

Fiona Apple hiding under the piano.

Jill Sobule drawing 1000 people for a 10 minute set way away from the main stage.

I spent a good part of the late 80s and 1990s going to shows and festivals. A good time to be in the 20-something goofball time of your life.

ANY time is “a good time to be in the 20-something goofball time of your life”. I think that’s what this thread is celebrating.

I was at the first Lollapalooza when it came through NC, back when it was about the art, man.

The festival is alive and growing all over the UK, and is now an institution. From grungy little local affairs, to “poshtivals” like Cornbury that I attended this year, they have become a national institution, celebrated in the local press and mainstream media alike.

The mother of them all in the UK is Glastonbury which, like Woodstock, does not take place in its namesake town but somewhere outside: Worthy Farm, in Pilton, Somerset.

I attended “Glasters” for the only time in 2000, and all I can say is: holy shit.

125,000 ticketed visitors housed in a tent city that literally went over the horizon from where I was pitched. On arrival I met up with my brother and his friends, and we set up a ring of tents with a campfire in the middle. All very friendly and civilised.

We headed down to the complex - which itself is vast, several hundred acres, and about 20 minutes’ walk from side to side. Food outlets and shopping and many stages and open-air auditoria. The whole thing is on 900 acres and is so big it almost defies imagination - a temporary conurbation that is impossible to explore in its entirety in the time it exists.

All around were people of varying degrees of intoxication, as well as people being Burning Man-style living artworks. My favourite was a guy riding round on a tricycle with a huge Elvis mask, towing a trailer that had a car-battery-powered stereo blasting Elvis numbers. He was ubiquitous for the entire three days I was there - no idea whether or how he enjoyed himself.

In the comedy tent a comedian was heckled, not in the normal way, but by a guy who said “my girlfriend would like to know if you’d suck her tits?” Bemusedly, he agreed and she came along for a tit-sucking. While this was going on, the tent opened again and two mummies on 6" stilts walked in. The female mummy walked up to the stage, parted her bandages, and produced her tit to be sucked. As this was going on, the tent opened again and reggae Elvis zoomed once around the audience at high volume, then disappeared. Naturally surreal, yet unnatural.

We went from band to band, at different stages, taking in Moby, Rolf Harris, before going into an Irish pub (in a tent of course). The landlord asked if anyone could play any Irish songs, so I said yes. Someone handed me a guitar, which I strummed with a coin, and played every Irish song I knew, and didn’t have to pay for a single drink. Afterwards I was told the guitar I’d abused was worth £2,000.

The toilets are appalling; filthy vomit-and-feces-strewn cabins, or open-air stalls over open troughs. The best find was a charity that dug waterless toilets for the third world, and had demos available to use, which I did. There were no official showers, though Greenpeace organised a “human car wash” where you paid money to strip off naked and run through a tent, being soaped and scrubbed and rinsed on the way by volunteers. I didn’t bother - few people do.

That night, the wall came down - right by our tent. Glastonbury is notoriously “leaky” and this year was no exception. Over the breach in the security fence, during a 24 hour period, flowed an estimated 100,000 more people who had arrived without a ticket and had pushed their way through the perimeter by brute force.

The next morning a bunch of hippies near us set fire to their kitchen tent. Looking at the proximity of all the canvas, me and one of my brother’s friends realised the implication of a tent fire - it would take out thousands of tents, some of them occupied, so we grabbed our drinking water and put it out. The hippies went “yeah, it was, like, on fire”. Later they thanked us by stealing what was left of our firewood. During the night someone put up a tent where our fire had been.

The site is a dairy farm. The infrastructure creaks at the best of times with the allotted number of people. With nearly double the population, it became unbearable. Watching the Chemical Brothers, we decided to avoid the crowds flowing out at the end of the gig, and left before they finished. Even with the minority of people doing this, the walkways became so crowded that we were swept along with no control over our direction. Later that night we got stuck, stationery, on a wooden bridge over a stream for thirty minutes, unable to retreat or advance. It was scary.

Returning to our tent, the gaps in between our tents had been filled with more tents. The next morning there was a tent on top of one side of ours.

On day three, my then-SO said “fuck this shit” and we left, and washed all the mud off ourselves in a very expensive hotel in the city of Bath.

I’d happily go again, especially now the crowd control issues have been addressed more firmly. Despite the privations and safety concerns, it is a truly special and at times beautiful experience.

My few festival experiences have been nothing to write home about. The Field Day Festival in 2003 was a disaster. The event was intended as a two-day event out on Long Island, in a field - hence the name. But the organizers either failed to get the permits they needed or the town rescinded them. So it became a one-day event in Giants Stadium instead. It poured all day and the crowd was tiny. Beck’s set was canceled because he was injured in a backstage accicdent and the Beastie Boys had to hurry on and give a disorganized performance. It was cool to see them, and Radiohead was excellent, but the experience on the whole was crappy. I did see HORDE in (maybe) 1995. Didn’t really get the festival vibe, but I saw some very good bands - it was my first time seeing Neil Young, and I got to hear Primus for the first time and became a fan.

My father didn’t make it to Woodstock, but he was at the Summer Jam at Watkins Glen in 1973, where about 600,000 people showed up to see The Band, the Allman Brothers and the Grateful Dead. The only thing I remember him saying about it is that they got to the racetrack the night before the festival - the bands did long soundchecks - and went to sleep. When they woke up they were absolutely surrounded.

Damn, missed the edit window. The guy with the Elvis head was blasting reggae numbers. For no apparent reason.

My festival experience pretty much consists of going to Tribal Gathering in 1997 at Luton Hoo, north of London. It was a lot of fun, particularly seeing Kraftwerk, which AIUI was playing its first U.K. show in 15 years.

I had a great spot for Kraftwerk, about 25 feet in front of the stage and right of center. There were so many people trying to cram into the tent that eventually the organizers simply rolled up the sides so everyone could see. According to the friend I went with, all the DJs in the Detroit tent had a clause in their contracts specifying that they could stop playing and shut down the tent to go see Kraftwerk. The rest of the festival was cool, but for me Kraftwerk was awesome, unquestionably the highlight.

Maybe he was a Dread Zeppelin fan?

That occurred to me at the time, but it wasn’t Dread Zeppelin he was playing. I think he was just full of joie de vivre/booze/drugs/all three.

I “attended” The Strawberry Fields International Carnival of Sight & Sound, Mosport Park, Ontario in August of 1970.

I had hooked up with a group of people in Toronto just prior to the festival. At the center was a fellow who owned a 1947 Dodge touring bus that had been used in the Rockie Mountains. It was all very Merry Prankster-ish.
On the way to the festival, the engine suffered a catostrophic failure, leaving us on the side of the highway some distance from the festival. Eventually, someone showed up with a rented van and towed the bus to Mosport Park. We arrived sometime on Sunday aternoon, missing pretty much the whole thing.

Not been one for festivals, but when I was a teen, I used to sell T-shirts, programs and Sno-Cones at all the concerts in Kansas City during the 70s. And that included the “Summerjam” concerts at Arrowhead Stadium. All day long concerts lasting well into the night. Some folks would be in the seats, but the real partiers would be down on the playing field (which was covered with plywood and tarps). The other Sno-Cone salesmen wouldn’t go down onto the field, but I would. I’d take two trays of Sno-Cones down there, stepping over the broiling bodies (it often exceeded 100 degrees) selling out in minutes. After a while, I started taking half with no syrup for people who were willing to pay good money for the ice alone for the booze they had smuggled in via a “wineskin”. I made as much as $400 in a day, which in 1975 was some serious money.

My best regular festival was the Guinness Fledg (spelling?), a day long Celtic festival. It had a great line-up, but it was made perfect by Mary Coughlin. We had seen her before at our favorite small Chicago club, Shuba’s. Before the show at Schuba’s, she had performed a short set at Borders. We’d talked to her there and she was amazed at how cheap clothes are in the US compared to Ireland, and with a large family, she had bought a bunch and her luggage was over-flowing. So we brought a bunch of gym bags to the concert that night and let her have her pick. So when we saw her at the Fledg a few months later, she recognized us in the crowd and motioned us over to the side of the stage after her set and gave us a pair of backstage passes. They allowed us to duck behind any stage and use the passage between the stages rather than fight our way through the crowd. It was like a wormhole through space.

Nealy that good was the Realworld WOMAD festival. It was at the World Music amphitheater outside Chicago, and saw some great music, starting with the brilliant Sheila Chandra and finishing with Peter Gabriel. A bunch of us pooled our money and rented one of the World’s skyboxes, which gave us a home base to return to and protection from the weather which had turned foul later in the evening.

So, what have we learned from this discussion, kids? That’s right: If you go to a Music Festival, you WILL get rained on.

Which rarely happens if you stay home and listen to music on the radio.

Mine was at Rock and Roll 9, held at the Hollywood Speeday near Miami on December 27, 1972, probably in December. We were down in Florida for Christmas and got tickets.

I don’t remember all the acts, but the ones that stand out are:

Jo Jo Gunne. I was a big fan of Spirit, but found this spin-off just so-so.
Elvin Bishop Group. Rocked the place down. Bishop was touring with his Rock My Soul album and just got everyone up and dancing. His final number was “Party 'Till the Cows Come Home,” and after it was done, he didn’t have anything to play for the encore, so the band went back and played it again.
Edgar Winter Group. Edgar was great, jumping and playing a keyboard that he hung around his neck. I remember a moment in “Frankenstein,” where he pointed at the back of the grounds as though a UFO was landing. And, as a special bonus, Johnny Winter (who had quit touring at the time) showed up to play a few numbers.
The Mahvishnu Orchestra. I had heard them before and didn’t want to hear them again, since they played everything loud enough to cause complaints from the neighbors on Mars. But that was indoors; outdoors you could actually hear the music.
The Allman Brothers Band. After Duane and Berry died, alas, and the 4th time I saw them. We had to leave before they were done, though. Good, but they were missing something.

I saw 4 or 5 of the big all-day-long Texxas Jam concerts held in the Cotton Bowl in Dallas in the late 70s and throughout the 80s. The last one I went to was in 1985 when I was 19-20.

I remember Bon Jovi was there; I wasn’t a fan, so I used most of their set as an extended bathroom break (the place was so packed it took the better part of 30 minutes to get to the bathroom and back). Ted Nugent was there, and Night Ranger, the Scorpions, and Deep Purple. It was about 98° and there was no shade.

I went to the show with this girl I had only met a few days prior. One of her roommates was an acid dealer, so we saw the last two bands while tripping on a 4-way hit of blue pyramid each. It was dark when Deep Purple came on. They had a laser show that freeeeaked me out. About 20 minutes into their set, I told my date, “…we’ve gotta’ leave NOW. I’m about to lose it, baby.” We left and went out to my car. We were waaay too high to drive, so we just sat in my VW and blazed until the show was over and a lot of the traffic had cleared out.