Yeah, in the first chapter of the book “Foundation” (written in the 1950s as an introduction to the series) Seldon has something that sounds very much like a graphing calculator, with the ability to do symbolic operations.
At the very end of “Foundation & Earth”, Trevize & company meet up with R. Daneel Olivaw, cementing the union of the Foundation series and Robot series that had been building for the entire book. Then Dr. A. did an about face and wrote the 2 prequel novels, where we find that R. Daneel has been guiding human history pretty much since R. Giskard turned everything over to him in Robots & Empire. In the Foundation prequels, R. Daneel guides & supports a young Hari Seldon with his development of psychohistory.
It has been DECADES since I’ve read the Foundation books, but I do remember reading this book and being very disappointed. Asimov contorted himself terribly to try to make the two series be in one universe. I say let them be separate.
Apple TV PLUS is a streaming service you can view on PCs, tablets and phones (including Android), smart TVs…anything modern. You aren’t limited to the physical Apple TV device, which is what I assume you were asking.
Supposedly Seldon’s device was the first appearance in fiction of a hand-held electronic calculator. It wasn’t much like modern ones, though, in that he operated it by turning knobs.
Good question. It only launched last autumn. I watched two of their shows, For All Mankind and The Morning Show in November, but I can’t find any DVD release dates for them yet.
One thing that worries me is that this seemed to be an Apple commercial first, and a trailer second… Let’s hope that that’s not the order of priority for the actual series.
I couldn’t agree more. It seemed very strained… and I never bought that Hari Seldon would’ve served as prime minister or chancellor or whatever before he developed psychohistory. That’s the kind of thing about his past that would certainly have been mentioned in the first chapter of Foundation, as he’s under scrutiny by the Imperial Commission of Public Safety.
I am actually very excited about the presence of Olivaw in this series. Asimov had two, more like three, separate historical space operas on the go, and towards the end of his life he combined them into one. Olivaw was an éminence grise in the background of the united history, and this series seems likely to run with that.
I’m even happier that Olivaw turns out to be a woman- Olivaw was a robot, and could have looked like anything. A giraffe, if necessary. We need to see what a truly advanced technological civilisation could do - something Asimov only hinted at until the last books, which I enjoyed much more than the early ones.
Just another thought. I imagine we’ll see a number of characters reimagined as female (such as Dornick in the trailer). I’m not sure there’s a single female character in the first book (save maybe a wife or two), although F&E has a strong-ish female character (Baytu).
Along with the smoking, I imagine the stereotypical gender roles of 50s sci-fi to be the main sticking points for translating the books for a modern TV audience. As with all sci-fi, Asimov’s was very much of its time.
Actually, I’m okay with changing the gender of characters. In most cases the gender is immaterial to the plot. And Asimov was not prejudiced in believing women incapable of action: in particular Arkady Darell is an important, strong character. More female characters would also fit in with the post-trilogy volumes that were more balanced: for example the female mayor in the fourth volume.
The most famous female in Asimov’s works is Susan Calvin in I, Robot. Asimov based her loosely on Mary Caldwell, one of his chemistry professors at Columbia. Susan Calvin is a rather old-fashioned model for what women who go into any profession were supposed to be like back then. She never gets married. She’s portrayed as being unhappy that no man she’s interested in is interested in her.