Funny Guy first in Billing? Comedy Teams

OK we have

Burns and Allen (Allen Funny Guy)

Abbot and Costello (Costello Funny GUY)

Stiller and Mera (Mera Funny Guy)

Are there any comedy teams where the funny guy gets top billing? Also why does the funny guy come last?

I can only think of

Laurel and Hardy (Oliver Laurel Funny guy)

It was Stan Laurel/Oliver Hardy but I get what you were saying.

One other I can think of seem to keep the funny guy last pattern:

Martin and Lewis (Lewis is the funny guy)

With 2000 year old man it was [Mel] Brooks and [Carl] Reiner, I think the “funny” one was supposed to be Brooks …

Bob & Ray … who was the funny one?
Sadly I can think of groups but not any duo-“teams” beyond those mentioned.

Burns and Schreiber. Schreiber, IIRC, was the funny one.

The Smothers Brothers.

Allen and Rossi. Don’t remember which was which.

[nitpick]

I wouldn’t call Gracie Allen and Ann Meara funny guys.

[/nitpick]

Hope and Crosby. Hope was the funny man, and he got top billing.

The straight man (or woman) always gets top billing, regardless of which one is funnier. As yet another example, Bert and Ernie.

Groucho, Chico, and Harpo is the usual order, and of course Groucho is the straight man and … um…

Hey, how about them bumper stickers that said “Bush and Cheney”? I think they’re both pretty funny… but Bush certainly gets more amusing lines.

Here’s one for you!

Former comedy team in Los Angeles radio:

Lohman and Barkley

Al and Roger.

Al was one of the funniest men I’ve ever had the pleasure of knowing.

They even had an NBC TV show in the 60s, appeared on Ed Sullivan, Hollywood Squares, and many other TV shows. But waking up in the late '60s/early '70s without Lohman and Barkley on the radio was unheard of in our house.

Quick story, if you will indulge me:

I retired from Radio in 1991. I called Al Lohman to see if he would like to get together for breakfast the morning I left. Arrangements were made, we met at Carrow’s restuarant, and of course, Al was late, as usual.

I had been waiting about 20 minutes when Al walked in. He came over, slid in the booth next to me, put his arm around me, and said in a low voice:

“You know, we’ve become real good friends in the past few years. There’s something about me you ought to know. Only my real good friends know this about me, and I consider you a good friend, so you ought to know this.”

He leaned closer and whispered in my ear:

“You know, I think Achy Breaky Heart is a piece of shit.”

That was pure Al Lohman, set you up and knock you down laughing.

He passed away about a year ago. I miss you, my friend.

The straight man not only always got top billing, but often received 60% of the money as well (as Abbott demanded of Costello). This is a tribute to how hard it is to be a good straight man - and also an acknowledgement that the straight man often was the guiding force behind the act.

George Burns wrote all the comedy and managed the act and Bud Abbott handled all the details. It’s interesting that the one exception to the general rule is Laurel and Hardy and Laurel was the comic mind behind the act, while Hardy had to be coaxed in off the golf course to do the filming.

Jerry Lewis is one of the few stooges who did the bulk of the comedy writing.

I’m looking through Leonard Maltin’s Movie Comedy Teams and he has small sections - even large ones - on teams that even Eve may not have heard of. Moran and Mack. Smith and Dale. Clark and McCullough. Wheeler and Wolsey. Noonan and Carney. Only in that last team did the straight man take second billing.

Hope and Crosby were never a comedy team, no matter how often they were paired together. (William Powell and Myrna Loy were paired so often so successfully that people thought they were married in real life, but they weren’t a team either.) And I’m not sure I’ll even accept the statement that Hope got top billing. IIRC, they had to get equal billing in all movies. Hope is just usually mentioned first because Hope and Crosby just plain sounds better than Crosby and Hope.

And if Groucho, Chico and Harpo was the “usual order” how come Joe Adamson’s magnificent book on their films is titled Groucho, Harpo, Chico & sometimes Zeppo?